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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Boulez' LF-Injected Vers»
» A resistor between scree»
» LeCleach vs. tratrix and»
» The 5-ways from Germany.
» Horn Speaker Leftovers f»
» How to manage the digita»
» Why I do not love Mahler?
» George Orwell and loudsp»
» Paganini's Daemon : A Mo»
» What lives in Symmetric »
» Electronluv systems ques»
» Some Horns propaganda
» An unexplored way to dea»
» DAW drives configuration»
» Phase plug for midbass
» Weber’s "Andante e »
» Ways to use audio method»
» Some Audiogon realty
» Naked Sound and Whether.
» In Praise of Infidelity »
» About my listening habit»
» First Order on Bass chan»
» American National Record»
» The Patrick Flanagan’s N»
» My recent FM mystery
» The “Melquiades” Sound -»
» Bruckner 9 live in 30 mi»
» Reel-to-Reel Tape vs. Ra»
» Playback evaluations mad»
» Cerebral and psychologic»
» Tanglewood's 75th annive»
» Do not touch that used t»
» Proximity of horn’s cros»
» Western Electric reprodu»
» Avantgarde Trio, Roy Gre»
» Why horn-loaded loudspea»
» Kevin Brooks Acoustic Sy»
» Bye-Bye, Fane
Bookmarked are red
Audio Perfectionist
Professional Audio Calcu»
Hi-Fi Speakers Design
Alexander Karpov’s “Next»
Opera Collector Guide
Direct Drive TT
Value of Records Tool
Carlos Kleiber List
Input Choke & Resonant C»
Hermann Scherchen discog»
RAAL ribbons
Paul's Antenna Attic
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

“It was then that she understood the vicious circle of Colonel Aureliano Buendia’s little gold fishes.”

Gabriel Garcia Marquez


This site came to live because of multiple reasons:

  • As a software engineer I enjoy and in many cases I find it practical to have a community-based content-filled site where I might play with off-the-wall solutions, which I might not, necessarily might utilize with my clients. Therefore this site is a convenient technical playground.

  • I appreciate music and value music reproduction; I appreciatively spend substantial amount of effort and time on them. I feel that I possess some critical mass of realization on the subject that might be presented or exchanged at public domain. Also, I do enjoy the process of collaboration and swapping, not to mention - the thinking - about the audio/music related subjects. Therefore, this site is a wonderful source for those dual-explorative opportunities.

  • Over the course of the last few years I spent some time socializing with various audio people on-line. It reveals to me that unfortunately the dominating majority of them were remarkable idiots. Furthermore, those on-line individuals , for whatever reasons drived them, found necessary to spread lie and deception about me. Therefore, this site is my statement who I am and what I think, without me being edited, impersonated or censored by the frighten and fraudulent audio human waste.

In other words this site is sort of a public diary about my own and perhaps others journey among the jungles of Music and Music reproduction. This is the place where I might share some thoughts, objectives, methods and ideas with whoever comes alone or across.

Neither this site nor I, thank God, are associated with any audio or music industry entities. I’m on my own and I have no other agendas besides:

  • My pure and natural interest to the subjects of music and music reproduction
  • Opportunity to tease my corrupted ego
  • Opportunity to mock the Audio Morons™, illusory ideas and mistaken concepts that deserve to be ridiculed
  • Opportunity to learn and to teach
  • Opportunity to have a entertainment while I’m engaged in less-exciting projects

Anyhow,

I welcome you at Roman Bessnow's GoodSoundClub.com – the Internet home of Romy the Cat


All context of this site except the Forum's posts Copyright © Roman Bessnow 2004-2020
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