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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Macondo Horns: biography.
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» The new CEC TL1 transpor»
» How to make a music pers»
» My subject of envy to au»
» Micro seiki SX-8000 Air »
» Greeting every one
» 60hz, GPA-515-8ghp horn.»
» Large La or Tratrix horn»
» Universal VTA adjustment.
» Kristian Zimerman BBC in»
» A turntable platter as a»
» There is no need to say »
» Hans Zenders’ orchestrat»
» What drives your musical»
» What is wrong with the A»
» Andre Previn in Boston.
» Classic Artc Showcase St»
» The "non-winner&quo»
» Saying goodbye to the di»
» A tube tuner? REL Preced»
» Playing music for visito»
» Splitting XLR into Multi»
» Bruckner and women
» Getting more from MF cha»
» What to do in office?
» Copper Mat on a Micro Se»
» How to test 6C33C?
» Problems with horns: upp»
» ... again on GOTO Unit d»
» The Melquiades bass chan»
» MartinLogan Montis Speak»
» Ravel Piano Concerto No2
» Suggested target curves »
» Macondo Alternation. Ext»
» Introduction to “Melquia»
» What is interesting abou»
» About audio sales and h»
Bookmarked are red
Lenard's Opals monitor
Irvington Music
TubeTesters.info
Random Classics
Max Robinson’s “Fun With»
33+45=78
Scriabin's Sonatas
The Leonard Cohen Files
Value of Records Tool
Club Abbadiani Itineranti
Rradiomuseum
Audiofederation's Blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

“It was then that she understood the vicious circle of Colonel Aureliano Buendia’s little gold fishes.”

Gabriel Garcia Marquez


This site came to live because of multiple reasons:

  • As a software engineer I enjoy and in many cases I find it practical to have a community-based content-filled site where I might play with off-the-wall solutions, which I might not, necessarily might utilize with my clients. Therefore this site is a convenient technical playground.

  • I appreciate music and value music reproduction; I appreciatively spend substantial amount of effort and time on them. I feel that I possess some critical mass of realization on the subject that might be presented or exchanged at public domain. Also, I do enjoy the process of collaboration and swapping, not to mention - the thinking - about the audio/music related subjects. Therefore, this site is a wonderful source for those dual-explorative opportunities.

  • Over the course of the last few years I spent some time socializing with various audio people on-line. It reveals to me that unfortunately the dominating majority of them were remarkable idiots. Furthermore, those on-line individuals , for whatever reasons drived them, found necessary to spread lie and deception about me. Therefore, this site is my statement who I am and what I think, without me being edited, impersonated or censored by the frighten and fraudulent audio human waste.

In other words this site is sort of a public diary about my own and perhaps others journey among the jungles of Music and Music reproduction. This is the place where I might share some thoughts, objectives, methods and ideas with whoever comes alone or across.

Neither this site nor I, thank God, are associated with any audio or music industry entities. I’m on my own and I have no other agendas besides:

  • My pure and natural interest to the subjects of music and music reproduction
  • Opportunity to tease my corrupted ego
  • Opportunity to mock the Audio Morons™, illusory ideas and mistaken concepts that deserve to be ridiculed
  • Opportunity to learn and to teach
  • Opportunity to have a entertainment while I’m engaged in less-exciting projects

Anyhow,

I welcome you at Roman Bessnow's GoodSoundClub.com – the Internet home of Romy the Cat


All context of this site except the Forum's posts Copyright © Roman Bessnow 2004-2019
All messages within the Site’s Forum Copyright © by authors of the posts
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