Romy The Cat's Home
Manifesto Copyright
Statistics Site Links
Site Map Surveys
Contact Romy the Cat

The “My Playback” page
was updated with inclusion
APS Pure Power 2000 Regenerator.

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage  
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» RMAF06 Show Report
» Recommend me works to ge»
» Driver Alignment, and Wh»
» S2 Hissing Sound
» The single-ended pretens»
» Chesky's violin concerto
» Analog Transfer: the fir»
» What constitutes a great»
» The Museatex Bidat pages.
» Phase plug for midbass
» Beware of the monophonic»
» Today’s SACD - music for»
» The power AC Outlets?
» My beloved Contraltos: k»
» Middle step (non ultimat»
» Russian mythology and Ho»
» Baltimore Symphony Appoi»
» Chinese upperbass horn.
» Ca(r)t before the horse:»
» How to USE “Resonating O»
» My new favorite "Ne»
» Audio and Politic: a sol»
» Focal-Jmlab – the Utopia»
» Overlooked Cello Reperto»
» New nanotube speaker tec»
» Object-oriented audio re»
» FMFool – a truly useful »
» VTL TL-7.5 Reference: Hi»
» Macondo – Super Melquiad»
» The best album of 2005 s»
» Afraid loudspeakers that»
» The Rafael Kubelík'»
» A great conductor - but »
» Mahler VI - Barbirolli w»
» Puccini: Tosca
» My old Fi-Hi gear associ»
» New sample 24/96 downloa»
» Devid Berning amplifiers»
Bookmarked are red
Linkwitz's "Laboratory"
Audiomisc
Radiotron Designers Hand»
Polish GM70 Poject
Vincent Brient's Sit
Rachmanionoff's links
George Szell discography
Adnan Arduman's site.
Classical Music Forum
Western Electric manuals
Dr. Olson Tribute Site
Loudspeaker Designer's S»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Music News Site Activities Home Page Site Map Music Exchange

“It was then that she understood the vicious circle of Colonel Aureliano Buendia’s little gold fishes.”

Gabriel Garcia Marquez


This site came to live because of multiple reasons:

  • As a software engineer I enjoy and in many cases I find it practical to have a community-based content-filled site where I might play with off-the-wall solutions, which I might not, necessarily might utilize with my clients. Therefore this site is a convenient technical playground.

  • I appreciate music and value music reproduction; I appreciatively spend substantial amount of effort and time on them. I feel that I possess some critical mass of realization on the subject that might be presented or exchanged at public domain. Also, I do enjoy the process of collaboration and swapping, not to mention - the thinking - about the audio/music related subjects. Therefore, this site is a wonderful source for those dual-explorative opportunities.

  • Over the course of the last few years I spent some time socializing with various audio people on-line. It reveals to me that unfortunately the dominating majority of them were remarkable idiots. Furthermore, those on-line individuals , for whatever reasons drived them, found necessary to spread lie and deception about me. Therefore, this site is my statement who I am and what I think, without me being edited, impersonated or censored by the frighten and fraudulent audio human waste.

In other words this site is sort of a public diary about my own and perhaps others journey among the jungles of Music and Music reproduction. This is the place where I might share some thoughts, objectives, methods and ideas with whoever comes alone or across.

Neither this site nor I, thank God, are associated with any audio or music industry entities. I’m on my own and I have no other agendas besides:

  • My pure and natural interest to the subjects of music and music reproduction
  • Opportunity to tease my corrupted ego
  • Opportunity to mock the Audio Morons™, illusory ideas and mistaken concepts that deserve to be ridiculed
  • Opportunity to learn and to teach
  • Opportunity to have a entertainment while I’m engaged in less-exciting projects

Anyhow,

I welcome you at GoodSoundClub.com – the Internet home of Romy the Cat


All context of this site except the Forum's posts Copyright © Roman Bessnow 2004-2009
All messages within the Site’s Forum Copyright © by authors of the posts
Last 24-hours posts:  3  
Total human visitors:  1,394,029  
   
      Search Site Forum
     Search Site via Google
 
BSO Current Schedule
WGBH Broadcast Schedule
WHRB Schedule/Webstream
WCRB Concerts/Webstream
Boston Classical Events
» Sammartini, Giuseppe
» Bibl, Rudolf
» Bruch, Max
» Scharwenka, Xaver
» Martucci, Giuseppe
» Monti, Vittorio
» Skriabin, Alexander
» Scriabin, Alexander
» Esplá, Oscar
» Santa-Cruz-Wilson, Domi..
» Ferroud, Pierre-Octave
» Eckhardt-Gramatte, Soph..
» Buss, Howard
» Rahman, Allah Rakha
» Karoussos, Panayoti
» Hunter, Ben
» has guitar hero taught u..
» met opera unveils $25 ti..
» petrenko appointed nyo p..
» where undercurrents of e..
» common ground - why clas..
» juilliard west? la's col..
» terry teachout's 25 top ..
» saving new york city ope..
» 'kontakion' reflects the..
» a hefty sound for bach a..
» reopening a pianist’s tr..
» slatkin and detroit so m..
» reviving the columbus sy..
» carl orff's dirty secret..
» left-handedness may be a..
» forecast: classical musi..
» cd: messiaen, 'f?tes des..
» pigs prefer classical, s..
» andrew bird discovers hi..
» toensing's 'kontakion' g..
» forecast: classical musi..
» cd: messiaen, 'f?tes des..
» native american composer..
» assembling the great can..
» brew of arias and overtu..
» classical listings..
» the rest of seattle oper..
» do you know whether musi..
» how youtube killed the r..
» madonna, celine were top..
» jokes fly in pnb's 'nutc..
» barenboim to celebrate n..
More Music News »»
Ortofon Mono CG 25 Di c»
Altec 808A compression »
Stage Acompany SA8535 d»
Koetsu Onyx Platinum Ca»
Pacific Microsonics Mod»
Mid-range tantrix round»
Musatex’s Bidat Model "»
Micro-Seiki air-suspend»
Purist Audio Design Pro»
SME M2 - 12" Tonearm wi»
Lamm L2 Reference pream»
More Leftovers »»