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» Windows Based Transport:»
» Macondo: new horizons. A»
» High-end audio: Absolute»
» $350.000 of audio-script»
» Lecture on history of ar»
» Exceptional loudspeakers»
» Devid Berning amplifiers»
» CD Is Dead. CD Is Dead?
» The Full (fuller) Range »
» Digital recorders: what »
» John Curl’s new phonosta»
» A Moscow setup with Horn»
» Digital Voicing
» The IDEAL horn system
» 3 ways how I listen to m»
» A truly cool solution fo»
» Memory Player Box?
» What constitutes a great»
» (Whose) classical music.»
» Bose audio and industry »
» Who the hell is this int»
» A very good horns system.
» Kenwood L-02T and the hy»
» Bahnsen Horns + some fre»
» All Active! A DSET and m»
» Problems with horns: mid»
» More Gieseking!
» Melquiades: too early fo»
» Eventually I’ve seen a l»
» Wywires – “Custom” desig»
» Large Polystyrene Caps
» The 60-inch LF driver.
» Patricia Kopatchinskaja »
» How do you position your»
» Micro RX5000: is that be»
» Playback as an expressiv»
» Tchaikovsky's Nutcracker»
» Why Hight-End Audio, as »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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Purist Audio Design Pro»
Micro Seiki RX-5000
Musatex-TP Bidat 20-Bi»
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Lamm Industries M1.1 Mo»
Micro-Seiki air-suspend»
Micro-Seiki MAX-282 To»
Sansui TU-X1 Tuner
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Vitavox AK-15/40 15" ba»
Korvet “Egg” Tonearm
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