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» Kristian Zimerman BBC in»
» A sort of DPOLs
» Tritium Turntables
» BBC: Composer of the Wee»
» LF Amplifier in biamping.
» Altec radial phase plug »
» Active Tonearm Monitorin»
» Signal variation, noise,»
» Clean and polish gunmeta»
» The John Barbirolli’s wi»
» Got new mid/high horns. »
» Eduardo de Lima is a fre»
» Woofer cone materials an»
» The benefits of ultra hi»
» About the DAW playback s»
» Danley's optimised paral»
» GM70 vs. 6C33C
» Compression Drivers -in »
» Mid-bass Hornresp (V51.3»
» Musicians' ear
» Mendelssohn, Cello Sonat»
» June in Boston with Earl»
» Stephen Hartkel, the goo»
» Acoustic Treatments That»
» To Rip or not to Rip.
» My Audio "Reviewing»
» Write your own ploy of t»
» Wharfedale Super 12/RS/D»
» Copper Mat on a Micro Se»
» GoodSoundClub – one year»
» Cerebral and psychologic»
» Boulez' LF-Injected Vers»
» Prokofiev's cantata
» Electrostatic Sub Horn
» Some analysis of the Joe»
» Label or map it religiou»
» About rationalism of twi»
» God bless WDR Symphony O»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Purist Audio Design Pro»
Koetsu Onyx Platinum Ca»
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Fane Studio 8 dual conc»
Vitavox S2/S3 diaphragms
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