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Site News: 17 May 2026

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» Class “D” – the industry»
» Editing your own posts
» Bach's performing space.
» Goodbye to EMI?
» Course & guide on ho»
» Kalinnikov’s First Symph»
» Macondo’s lowest channel.
» Anybody building or usin»
» The “Primary Frequencies»
» Chinese upperbass horn.
» Dannoy and oxytocin...
» Crash course on horns an»
» Experimental horn
» Cooperation for the comm»
» Etheraudio's some BS….
» The Milq’s power supplie»
» Multi-amping crossoverin»
» Lamm ML2.0 & Lamhorn»
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» Depicting and Visualizin»
» Use absolute polarity as»
» The Evolution (or Anti-E»
» Sansui AU-X1 bomb...
» Infinite Baffle Implemen»
» Another time aligned 5-w»
» Time alignment of drivers
» Question on speakers
» Mr. Kleen Stylus cleaner
» What Passes for "Sp»
» The pianist Yuja Wang … »
» Motion Picture Sound
» “Zarathustra” amplifier:»
» Belcea Quartet
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» Inside views of "me»
» RIP Henryk Mikolaj G»
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Depending on the definition, everything that we th...  (Jun 07 by rowuk)
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Classical events in Boston
AUG 1 BU Tanglewood Instit»
AUG 1 Danish String Quarte»
AUG 1 Light & Shade in Var»
AUG 1 Mozart: The Marriage»
AUG 1 Esa-Pekka Salonen, c»
AUG 2 ZÉMIRE ET AZOR in Ch»
AUG 2 BU Tanglewood Instit»
AUG 2 Andris Nelsons, cond»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
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Wolf, Hanns (7 June 1894-2»
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Escudero, Francisco (13 Au»
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My Audio Leftovers
Vitavox S2 Compression »
ESS AMT-1A Heil Air Mot»
Musatex’s Bidat Model "»
Purist Audio Design Pro»
Micro-Seiki MAX-282 To»
“Tree Blind Mice” colle»
Fane Studio 8 dual conc»
Sansui TU-X1 Tuner
Mid-range tantrix round»
Lamm L2 Reference pream»
Ortofon Mono CG 25 Di c»
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