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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
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» How Mussorgsky should so»
» NAT Audio Magna -160 Wat»
» DIY Void acoustics Air m»
» Some evidence for the ch»
» Gershwin's Rhapsody in B»
» Ludwig van Beethoven &qu»
» hello cats...meow.
» I think my Dynavector 10»
» Ways to use audio method»
» Monophonic bass: myth an»
» Rachmaninoff Piano Conc»
» Radio Stations Harmonize»
» Khachaturian anyone?
» "SOTA Technology&qu»
» Tractrix Bass horn vs Sp»
» Melquiades: too early fo»
» A Moscow setup with Horn»
» Large Polystyrene Caps
» Why David Robertson does»
» It takes balls to shop (»
» The foolishness of multi»
» Jaap van Zweden kicks as»
» Not all audio equipment »
» Proximity of horn’s cros»
» Hideous American operas.
» The single-ended pretens»
» MillionDollarStereos.com
» Internet and electricity
» Micro Seiki MAX 282 Ques»
» Do the Filament Transfor»
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JPC CD Store
Linkwitz's "Laboratory"
The Gustav Mahler Board
Doremi CD label
Japanese's HiFiDo
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Ron Penndor's Recollecti»
Sound Tourism
Jong Woo's Site
Soviet Composers
Classical Composers
GedLee loudspeakers
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AUG 1 Chamber Music in Bru»
AUG 1 Sustaining Our Beaut»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
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is bach better on harp?»
julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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classical music news. diab»
another trump blunder»
from concerts to cartoons:»
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ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
the lost pianos of siberia»
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leon fleisher, 92, dies; s»
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Liszt, Ferenc (Fran»
Planquette, Robert (31 Jul»
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“Tree Blind Mice” colle»
Vitavox AK151 15" bass »
Rohde & Schwarz EU-6201»
Korvet “Egg” Tonearm
Fane Studio 8 dual conc»
Mid-range tantrix round»
Micro-Seiki MAX-282 To»
Lamm ML-2 Single-Ended »
Vitavox S2 Compression »
Altec 515B bass drivers
Micro-Seiki Arm Board
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