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» Tchaikovsky’s “Pathetiqu»
» Multiple EQ curves of A»
» hello cats...meow.
» Is any interesting audio»
» Beautiful Mahler Lieder
» RDH20 Frame double horn »
» Boston and Liszt’s Secon»
» Horns and digital crosso»
» The Mozart’s Dorabella a»
» Fire and Music
» Write your own ploy of t»
» How to run MM-type cartr»
» How to manage audio powe»
» DIY Void acoustics Air m»
» The BBC Proms 2009
» Expressive Technologies »
» A new CES 2010 loudspeak»
» About Timbre and Audio.
» Berlin, Bruckner 8 in Ma»
» The Brain Inertia.
» Radiation patterns match»
» Why horn-loaded loudspea»
» Big room vs small room
» Playlists and patience
» Full range Melquiades im»
» Dialog with Industry Rain
» How to evaluate playback»
» Cogent+Electronluv+Acape»
» An Acquired Taste
» "Zaratustra II"»
» Stop having a fear of ho»
» The "NEW T.H.E Show»
» The mono cartridges para»
» Archimago's Musings talk»
» Srajan, 6Moons, sex indu»
» An idea of “Rain Wake-Up»
» How audio started….
» Grid bias power supplies
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Tchaikovsky's Compositio»
Rachmaninoff Society
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Michelangeli Discography
Duke Classical
Dazy Web Labaratory
OperaGlass
Dolmetsch Online
Direct Heated Rob
Vladimir Lamm Site
George Szell discography
Nornan Lebrecht's blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Stage Acompany SA8535 d»
Ortofon Mono CG 25 Di c»
Micro-Seiki Arm Board
Electro-Voice T350 twee»
Purist Audio Design Pro»
Rohde & Schwarz MSDC Mu»
Altec 515B bass drivers
Kenwood L-02T FM Tuner
Lamm L2 Reference pream»
Tribute Output Amorphou»
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