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» Panel with Peter Qvortru»
» Is it the time to change»
» Hammond?
» The Norman Lebrecht’s ar»
» High End Munich 2014 imp»
» Gould's Goldberg Variati»
» Middle step (non ultimat»
» Soprano Sally Matthews.
» Bruckner at 24bit.
» Berlin Philharmonic Dire»
» Johannes Brahms - Sympho»
» Another horn manufacturer
» Wharfedale Super 12/RS/D»
» Looking at the pictures »
» Appearance of listening »
» Audio-tekne's "Tone»
» Listening rooms and comp»
» Dialog with Industry Rain
» Sensible record cleaning»
» Berlioz Requiem / Pavaro»
» Richard Wagner. Somethin»
» A contemporary AD1 Triod»
» The 24 bits of Christmas
» The Saudi Arabia and Uni»
» A playback and wrong not»
» Making it sing...
» Tschaikowsky, [Violin] C»
» Those Video broadcasts f»
» Atkinson vs. Tektronix: »
» The bizarre magnetized 6»
» What I am doing?
» Making musical instrumen»
» Electrovoice t350 repair»
» Do not reproduce extreme»
» Micro RX 5000
» Romy stalked me on the f»
» A quest for a better SET.
Bookmarked are red
Austria's Musical Exiles
Tin Lee Electronics
Lied and Art Songs
Boston Philharmonic Orch»
The Gustav Mahler Board
The Tape Project
Broadcast History
Parnassus Records
Value of Records Tool
Virtuosos Discographies
StateWork Broadcast Reco»
JE Labs
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I keep receiving emails from visitors asking me thier idiotic questions about audio. I don't care about your purchasing decisions, I don't provide general audio consulting and usually, I do not reply to private audio questions (unless you send me a confirmition that you've donated to your local feline shelter). Please stop send me emails asking me your damn audio questions: I have a public site where you might indulge your unhealthy audio interests and where I might have fan to ridicule you publicly. Also be advised that I keep rights to publish on my site any content submitted to me via email. I sincerely hope that this warning would prevent a few needless inquiries.

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