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» DBT - a signature of lis»
» I need a “second-type” p»
» Prices in High-End Audio.
» New Shalin Liu Performan»
» How to build the best au»
» Beauty as I See It - Mus»
» Anyone Care to Make Odds»
» Justification of Buying »
» The “theories” about the»
» DeCompressor - Puncher P»
» Where the FM quality com»
» What is wrong there and »
» Bass impact on Turntable»
» Andrew's new 4-way horn »
» Suggested target curves »
» The African compression »
» Making LPs; What Goes In»
» Multiple Tracks, Each On»
» The most appalling audio»
» Wiener Philharmoniker r»
» The DSET perspective exa»
» Gas voltage reference 0A»
» Reflections pattern in C»
» Celibidache / bruckner
» Big room vs small room
» The "Lopsided"»
» My Audio "Reviewing»
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» Audio system: my path to»
» SET and speakers: disreg»
» Schimmel's Voxativ Ampeg»
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Opera America
Polish GM70 Poject
Lenard's Opals monitor
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Tin Lee Electronics
WHRB Radio Station
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Boston Philharmonic Orch»
Qualiton
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