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» About destiny of “High-E»
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» The Edgarhorn RTA respon»
» The "anecdotal"»
» Clark Johnsen.
» The Church of Denon 103C
» Audio and Music: four le»
» Tweeters for Altec 420y »
» How to mitigate the expe»
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» It was seventy years ago»
» What Passes for "Sp»
» Driver Alignment, and Wh»
» RIP Henryk Mikolaj G»
» DVD for pop, SACD for cl»
» GM70 vs. 6C33C
» The BSO and Digital Musi»
» Here's what's REALLY wro»
» Solid state revisited
» PS Audio's digital appro»
» Macondo: new horizons. A»
» The period DHT tubes and»
» Baltimore Symphony Appoi»
» "Consensus in audio»
» Arsenic bacteria & G»
» Pacific Microsonics Mode»
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AUG 1 Chamber Music in Bru»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Gryphon Trio in Rock»
AUG 3 Chamber Music in Bru»
AUG 4 Chamber Music in Bru»
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Daquin, Louis-Claude (4 Ju»
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Patterson, Paul (15 June 1»
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Verbeek, Margriet (15 June»
Bonello, Anthony (15 June »
Sansui TU-X1 Tuner
CEC TL-0 MK2 transport
Ortofon Mono CG 25 Di c»
Micro Seiki RX-5000
Mid-range tantrix round»
Purist Audio Design Pro»
“Tree Blind Mice” colle»
Altec 808A compression »
Lamm L2 Reference pream»
Hillock TV-2 tube tester
Vitavox S2 Compression »
More Leftovers »»