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Site News: 27 Apr 2023
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Bye-Bye Reel
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Clark Johnsen.
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Bach Cello Suites
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Fantasies about 10Y
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Meyer X-10
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What is wrong with Dipol»
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A[nother] Cautionary Tal»
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Mitigating Undesired Hig»
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Ravel's String Quartet; »
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The best “Die Fledermaus»
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Is any interesting audio»
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Some analysis of the Joe»
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Closer to the musicians »
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Tokyo (Akihabra) Audio a»
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Tonearm Alignment Method
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Woofers cone repair – a »
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Hungarian folded horn
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Battling stupid Horn Cri»
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In Praise of Infidelity »
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Naked Sound and Whether.
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The UnipheyeMusic and St»
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The Nimbus' Prima Voce b»
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June in Boston with Earl»
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Dual channel SET
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How to make money in Aud»
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The decentralization and»
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Shaky tubes, echo testing
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Zander, BPO, George Li a»
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Building horn onto power»
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Rim drive?
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HD Radio? Good, bad or u»
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Anybody using vacuum hol»
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JMLC horns profile?
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Micro RX5000: is that be»
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Compression drivers saga
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Festival “Son & Imag»
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Audiophile Re-issues: Wh»
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Classical events in Boston
APR 26
Andris Nelsons, cond»
APR 26
Mozart: Don Giovanni»
APR 26
exploration of the s»
APR 26
RAVEL / BERG / MAHLE»
APR 26
Tufts Composers in M»
APR 27
Boston University Sy»
APR 27
Forays in Boston on »
APR 27
Forays in Boston on »
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
Buttstett, Johann-Heinrich»
Anfossi, Pasquale (25 Apri»
Bossi, Marco Enrico (25 Ap»
Fitelberg, Jerzy (20 May 1»
Bavicchi, John (25 April 1»
Denhoff, Michael (25 April»
Bedford, Luke (25 April 19»
My Audio Leftovers
“Tree Blind Mice” colle»
Korvet “Egg” Tonearm
Stage Acompany SA8535 d»
Electro-Voice T350 twee»
Altec 515B bass drivers
Vitavox S2 Compression »
Conscience of audio rev»
Lamm L2 Reference pream»
Purist Audio Design Pro»
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Sansui TU-X1 Tuner
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