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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
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» To drive the 6C33C...
» Melquiades: too early fo»
» Hammond?
» De-stress not decompress»
» Loenid Kogan
» Romy's Phone Rings
» A passive but elegant pr»
» Single-stage Melquiades »
» Electro-Voice T350, T35,»
» The nature of "soun»
» Reflex enclosures used a»
» Copland/BSO/Copland
» Bach's Cello Suites
» Wet/Dry ™ configuration »
» The Estonian idiocy: Est»
» Micro Seiki SX 111FV Pla»
» Tonality versus Frequenc»
» How to manage audio powe»
» Be careful: Imaging vs. »
» The Hannes Kastner’ Tocc»
» The 5th horns in stack o»
» A tribune to Transient E»
» About Timbre and Audio.
» French Horns/drivers sho»
» Floor reflections
» Aimez-vous Bartók?
» Analogue to digital conv»
» German Odeon horns.
» The Audio of 21 century:»
» What is the buzz: the V-»
» The “Dead Points of Live»
» Radiation patterns match»
» R22
» First Bruckner listening»
» Building a new music room
» Two channels (tweeter an»
» Spivakov, NPoR Orchestra»
» Foundation Standarts for»
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Classic Artc Showcase
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Wiener Philharmoniker Di»
THL Audio
Vintage EV speakers
Qualiton
Rottenburger Museen
The Well Tempered Comput»
Ward Marston's "Marston"»
Tahra Records
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Sansui TU-X1 Tuner
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