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» Why the tubes shall be t»
» A[nother] Cautionary Tal»
» Null-set dipole butterfl»
» The CD players must read»
» Looking to brainstorm st»
» Audio equipment vs. live»
» Do not buy CDs mastered »
» Tweeters: the most misus»
» Silicone gel damping?
» Multiple EQ curves of A»
» Class “D” – the industry»
» My playback: what is nex»
» Headphone amplifiers. Ba»
» The Brain Inertia.
» An idea of “Rain Wake-Up»
» The “sounds” that I am l»
» Small SET’s bass, beside»
» Macondo’s Midbass Projec»
» Pham Thanh Cuong's playb»
» Satisfying result: the R»
» An ultimate transformer »
» 6E6P-DR in triode mode
» What is interesting abou»
» Sub-woofer integration w»
» A new CES 2010 loudspeak»
» Lab JC
» About bass horns by Joha»
» Hi-Fi Mini Systems
» The best Third Movement »
» About Harry Pearson lega»
» The ferrofluiding of com»
» Dynamic range in histori»
» My playback can’t play l»
» Making LPs; What Goes In»
» JMLC horns profile?
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» My (Amplification + Acou»
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Thomas Dunker's Site
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Opera America
Input Choke Calculator
Loudspeaker Designer's G»
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George Szell discography
Value of Records Tool
Russian Records
BachTrack
Greg Sando’s Site
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Korvet “Egg” Tonearm
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Kenwood L-02T FM Tuner
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Micro-Seiki Arm Board
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