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Site News: 27 Apr 2023
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» Speakers: a hi-fi disast»
» Fantasies about 10Y
» TU-X1 setup
» About DSET-driven multi-»
» How Mussorgsky should so»
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» DAW drives configuration»
» Tannoy's Flagship by Jef»
» How to read Romy the Cat»
» THe Audio Critic Magazine
» Good commercial speakers
» DIY multicellular horn
» The period DHT tubes and»
» Evaluation of tractrix c»
» William Kapell legacy an»
» Andrew's new 4-way horn »
» So, What's the Story on »
» The single-ended pretens»
» Melquiades: too early fo»
» How to mitigate the expe»
» Tonality versus Frequenc»
» Mozart Concertos; Clarin»
» Time Alignment : Live Pe»
» 47 Lab Digital
» I think my Dynavector 10»
» The SACD and the Windows»
» Do not pursue full-range»
» Perspective?
» Anyone Care to Make Odds»
» Does tube preamplifier V»
» Shock-absorbing tube soc»
» JBL LE8
» Eben X-3 loudspeakers -»
» It is imposable to “hear»
» Dvorak Piano Quintet
» Cool running AB amplifie»
» The cPlay software.
» The “guest musician opin»
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Classical events in Boston
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Fitkin, Graham (19 April 1»
My Audio Leftovers
SME M2 - 12" Tonearm wi»
Hillock TV-2 tube tester
Fane Studio 8 dual conc»
Micro-Seiki Arm Board
Vitavox AK-15/40 15" ba»
Sansui TU-X1 Tuner
Kenwood L-02T FM Tuner
Lamm Industries M1.1 Mo»
Altec 515B bass drivers
Vitavox S2 Compression »
Pacific Microsonics Mod»
More Leftovers »»