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» Making it sing...
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» A very slow monolog abou»
» Re-set Martha Argerich!
» VoES
» Canadian Speaker Proposal
» Brian Cheney of VMPS
» Why I do not like the &q»
» The centuries old strugg»
» How to evaluate playback»
» Capturing live internet »
» LF Amplifier in biamping.
» Impulse response, short »
» America, version 2004
» The FM Stereo and Multi»
» Single Driver speakers
» Passive line level cross»
» Think ahead how to measu»
» About the life-expectanc»
» NASA Reverberant Acousti»
» My Analog Playback: the »
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» How the things are getti»
» Corner Speakers for a ne»
» Convergent Legend Preamp»
» "Zaratustra II"»
» How does it sound?
» About my listening habit»
» Reinforced live sound in»
» EAR Yoshino DAC 4 by Tim»
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» From bad Opera to good O»
» How to organize files wi»
» The “Primary Frequencies»
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Classical events in Boston
AUG 1 Chamber Music in Bru»
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AUG 2 Elim Chan, conductor»
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Composer's Anniversaries
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My Audio Leftovers
Stage Acompany SA8535 d»
Korvet “Egg” Tonearm
Lamm Industries M1.1 Mo»
Conscience of audio rev»
Kenwood L-02T FM Tuner
Electro-Voice T350 twee»
Micro-Seiki air-suspend»
SME M2 - 12" Tonearm wi»
Altec 515B bass drivers
Vitavox S2 Compression »
Pacific Microsonics Mod»
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