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» DC offset for A/D conver»
» Pop-music as a side-disc»
» A Scratched Horn.
» Do the Filament Transfor»
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» Oistrakh(s) on Monitor M»
» The single-ended pretens»
» Sometimes surface noise »
» Boston Philharmonic Mahl»
» High-End Audio. The thir»
» Nothing Is Perfect
» Sauna and Audio
» Making LPs; What Goes In»
» A sort of DPOLs
» Moerch DP6 and DP8 “anis»
» Cellist Daniel Müll»
» Perspective?
» Six years of continuing(»
» Superbly interesting eff»
» Fostex tweeters, Lowther»
» The Berlin Philharmonic »
» LLoyd Walker Never Rests
» To hear Haydn for a firs»
» The commercial music ser»
» RAAL “Water Drop” tweete»
» My Analog Playback: the »
» Romy The Cat's new Liste»
» The Foolishness of Analo»
» Audio Cost
» The WHRB’s Rimsky-Korsak»
» Wide dispersion horns
» Initial thoughts about n»
» Haniwa Cybernetic Audio »
» “Hearing Modernity” at H»
» Mozart Concertos; Clarin»
» A different type of uppe»
» Inside views of "me»
» Rakeshorns
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Lenard's Opals monitor
ElecroVoice’s Vintage Pr»
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Dr. Olson Tribute Site
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
Tribute Output Amorphou»
Kenwood L-02T FM Tuner
Musatex-TP Bidat 20-Bi»
Vitavox AK151 15" bass »
Ortofon Mono CG 25 Di c»
Lamm ML-2 Single-Ended »
“Tree Blind Mice” colle»
Rohde & Schwarz MSDC Mu»
Micro Seiki RX-5000
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