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» Celebrating Anton Bruckn»
» And a Bruckner 8 the day»
» The nature of "soun»
» The SACD and the Windows»
» Help with RF loop
» The most promising “best»
» Audio industry metaphor
» About the (secret) rules»
» BD-Design’s Orelino
» How to select mid/upper »
» Radio Netherlands’ Live!»
» RIAA pole two = 501,12 Hz
» The Kato-san's Goto »
» Wich melquiade?
» Micro RX5000: is that be»
» An ultimate transformer »
» Lamm’s new phonostage.
» Fostex tweeters, Lowther»
» The Classical Music Caf&»
» The Lieberson’s Neruda S»
» The fantastic Lucas Deba»
» Sound of line level filt»
» Choosing Someone to Refu»
» Copyright protection for»
» Where high-end audio sta»
» Claude Perrier and his t»
» It is all about hard sur»
» Exceptional loudspeakers»
» Future of high-end audio
» BiDat: One more output
» Sometimes surface noise »
» The ferrofluiding of com»
» Engineering over Art
» How many channels does a»
» Alfred Schnittke’s Gogol»
» Digi Redux; Drive 1 tran»
» The nature of "soun»
» What is the buzz: the V-»
Bookmarked are red
The Leonard Cohen Files
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Classical Music Streams
Ron Penndor's Recollecti»
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Tonal tests
Value of Records Tool
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AUG 1 Chamber Music in Bru»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Gryphon Trio in Rock»
AUG 3 Chamber Music in Bru»
AUG 4 Chamber Music in Bru»
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Daquin, Louis-Claude (4 Ju»
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Patterson, Paul (15 June 1»
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Bonello, Anthony (15 June »
Purist Audio Design Pro»
Tribute Output Amorphou»
Micro-Seiki air-suspend»
Vitavox AK151 15" bass »
Rohde & Schwarz EU-6201»
Vitavox AK-15/40 15" ba»
Musatex-TP Bidat 20-Bi»
Altec 808A compression »
Micro-Seiki MAX-282 To»
Lamm Industries M1.1 Mo»
Lamm L2 Reference pream»
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