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» THE Show, Irvine 2018
» Recapping RX5000
» About the thoughtfulness»
» Bartok piano works
» Matching audio to music:»
» Another topic on vitavox»
» German Odeon horns.
» Today’s SACD - music for»
» The Andrew Rose’s “Prist»
» The 'nature' of said rea»
» Midrange driver suggesti»
» A littlie D-War: Bidat v»
» Back chamber
» About the Audio Neutrali»
» Listening playback with »
» Miniumum sample rate for»
» Analog Transfer: the fir»
» The most appalling audio»
» Russian cello festival
» How to make musicians to»
» Joël Durand Intervi»
» To Rip or not to Rip.
» A quest for a better mon»
» Macondo 2.0?
» The objectives of Einste»
» Primitive steps for stan»
» (monitor vs hifi speaker»
» Lamm’s new phonostage.
» BiDat: One more output
» Idea of a 3way horn syst»
» CEC TL0 3.0 trasport
» Computer Audio
» How to waste $25.000.00
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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REL Precedent 646C tuner
Pacific Microsonics Mod»
Korvet “Egg” Tonearm
ESS AMT-1A Heil Air Mot»
Lamm L2 Reference pream»
Micro-Seiki Arm Board
Purist Audio Design Pro»
Ortofon Mono CG 25 Di c»
Micro Seiki RX-5000
Rohde & Schwarz MSDC Mu»
Vitavox AK-15/40 15" ba»
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