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Audio Knowledge Tree ™
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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» My Audio Philosophy
» Arranging my records col»
» ELROG tubes sinked but s»
» Mozart: "Cosi Fun T»
» Flac 16bit/48Khz streami»
» Metropolitan Opera 2009-»
» EnABL: Just a note to aw»
» 6C33C socket types, wher»
» The List: Let age public»
» Ultimate HF output trans»
» Hässler sonata: Gra»
» World's Finest Sounding »
» The “theories” about the»
» How Piazzolla should sou»
» How audio started….
» Don't evaluate audio by »
» Micro SX8000I: noisy pum»
» Another interesting corr»
» Archimago's Musings talk»
» RCA driver made in China
» The WHRB’s Orgies period.
» Berlioz Requiem / Pavaro»
» A slightly crazy idea fo»
» Outdoor horns
» 50/40 Altec 604 Duplex B»
» The 500-megawatt FM stat»
» Off-the-wall playback or»
» Amplification and Consci»
» Contributing factors in »
» Analogue to digital conv»
» A lucidly implemented di»
» A complex Audio Question
» A contemporary AD1 Triod»
» Macondo’s MiniMe or abou»
» Richard Wetz and Martin »
» The Second stereo arm pr»
» Conclusions on my Home a»
» Don Quixote BSO Live tod»
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Conductor’s Corner
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Koussevitzky & BSO
The Cartridge Database
Willem Mengelberg discog»
Musical Musings
Exponential/Hyperbolic C»
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AUG 1 Chamber Music in Bru»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Gryphon Trio in Rock»
AUG 3 Chamber Music in Bru»
AUG 4 Chamber Music in Bru»
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