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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Something that a loudspe»
» Like theese?
» Van den Hul famous FAQ c»
» An Interview With Dr. Br»
» The idiotism of Audio Sy»
» My first audio show. Hmm»
» About audio hoarding
» Myth of CD clocking = Tr»
» There is nothing subject»
» About my listening habit»
» The Truly High-End Ampli»
» Dynamic range in histori»
» Reflections pattern in C»
» SS Power Amps - the FoxN»
» A world class deaf percu»
» Gould's Piano
» 4-way horn system Prelude
» A true nature of audioph»
» How to evaluate playback»
» Help with Math needed.
» Plugin for drawing segme»
» I think my Dynavector 10»
» Assemble it yourself?
» Compression driver phase»
» Bach's performing space.
» Capturing live internet »
» A truly cool solution fo»
» The Lieberson’s Neruda S»
» Macondo’s Midbass Projec»
» Suggested target curves »
» Measuring reality: empir»
» Revisiting DSP
» The most emblematic reco»
» Who inherit Mocondo or a»
» Sounds of Science
» Omni-directional 'horny'»
» The Opera Room
» Using chairs as phase ra»
Bookmarked are red
Professional Audio Calcu»
Olson Acoustical Book
Recording Technology His»
JPC CD Store
Linkwitz's "Laboratory"
Hermann Scherchen discog»
Holger Klein's Soundpage»
Furtwängler's conserts
Audio Database
Find-a-Concert
Dazy Web Labaratory
Duntech Audio loudspeake»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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CEC TL-0 MK2 transport
Altec 515B bass drivers
Sansui TU-X1 Tuner
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Vitavox S2/S3 diaphragms
Kenwood L-02T FM Tuner
Micro-Seiki Arm Board
Lamm L2 Reference pream»
Lamm Industries M1.1 Mo»
Micro-Seiki air-suspend»
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