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» Mysterious Russian Tromb»
» How playing an instrumen»
» Proximity of horn’s cros»
» Compression at WCRB - b»
» Tubas and Mc-step
» Soundsmith’s analog idea»
» About Timbre and Audio.
» The Best Of Wiener Philh»
» How to make musicians to»
» Munich High End 2011
» Problems with horns: twe»
» Carbon Interconnect
» Brahms, "Liebeslied»
» Shelter 901 on SME 309 t»
» The new “little things” »
» Musicians' ear
» Experimental horn
» A quest for a better SET.
» Targeted Audio Listening»
» High-End Audio "sec»
» Tonearm Alignment Method
» Electro-Voice Tweeter an»
» From bad Opera to good O»
» Cogent+Electronluv+Acape»
» How to manage audio powe»
» DRU Tube for Melq’s HF c»
» Greek Anima Loudspeakers
» Abbado + Lucerne Festiva»
» Stay home with Bruckner
» Bach, Brandenburg Concer»
» The not-so-big listening»
» Radio Netherlands’ Live!»
» Bliss
» Online Music Store in Eu»
» EMM Labs hits… the chick»
» Bad, bad, bad 1812 Overt»
» Czech Republic's Audio
» Silicone gel damping?
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Takashi Asahina Group
Ron Penndor's Recollecti»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Musatex’s Bidat Model "»
Musatex-TP Bidat 20-Bi»
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LF Transformer for 6C33C
Korvet “Egg” Tonearm
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