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» A CD off tune? The Big C»
» Looking for the most vin»
» Prokofiev's cantata
» The "non-winner&quo»
» The Nimbus' Prima Voce b»
» The “sounds” that I am l»
» The Mercury "Rigole»
» The commercial music ser»
» The Ralf Stegmueller’s h»
» Outdoor horns
» “Tool” for Morons ™: Bla»
» How to USE “Resonating O»
» Pop-music as a side-disc»
» A fresh take on 9th by t»
» Summary: my/your audio: »
» New Bamboo Speakers Feed»
» Do not touch that used t»
» Like colourful contrasts»
» The FM Stereo and Multi»
» Reel Machines :-O
» I would like to believe »
» Macondo vs. the “industr»
» How to listen High-End A»
» Live memories of Live br»
» When the stars aligned.
» Emmerich Kalman (1882-19»
» Thoughs about “My Playba»
» About High-End Audio for»
» “Hearing Modernity” at H»
» The “Implied Sound” in A»
» A car with vacuum tube..»
» Tuva Semminsen sings Viv»
» I think about War lately.
» Object-oriented audio re»
» Avantgarde Trio, Roy Gre»
» Metal domes
» The WHRB’s Rimsky-Korsak»
» Multicellular horns
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
Micro-Seiki Arm Board
Lamm L2 Reference pream»
REL Precedent 646C tuner
Musatex-TP Bidat 20-Bi»
LF Transformer for 6C33C
Micro-Seiki MAX-282 To»
Lamm Industries M1.1 Mo»
Vitavox S2 Compression »
Hillock TV-2 tube tester
Vitavox AK151 15" bass »
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