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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Memories of audio elemen»
» Jean Hiraga’s cooking of»
» Callas and Tebaldi Compa»
» A resistor between scree»
» About Timbre and Audio.
» Zander, BPO, George Li a»
» A complex Audio Question
» The contemporary pressin»
» Anyone Care to Make Odds»
» Macondo vs. the “industr»
» Dynamic viscose stabiliz»
» New paradigm - what an &»
» More about the EdgarHorn»
» Closer to the musicians »
» Single Ended Triode dist»
» Beethoven IX and Fü»
» SF audio gurus?
» Mozart Concertos; Clarin»
» Pacific Microsonics Mode»
» Not new, but VERY intere»
» Phoenix
» Romy...thoughts on Lamm »
» The irony of playback ph»
» Has anyone ever seen the»
» The LCR RIAA correctors
» Adding one more non-sphe»
» Grid bias power supplies
» Danley's optimised paral»
» The Edgarhorn RTA respon»
» Aesthetix Rhea Signature»
» Drama vs. Chic
» Playing third cartridge »
» Does tube preamplifier V»
» The Norman Lebrecht’s ar»
» We do not have an audio »
» In interesting new compa»
» The bogusness of the coa»
» To Milq builders: correc»
Bookmarked are red
The National Valve Museum
GS Tube
Perer Gulmann's Classica»
Tubecad publication
The Music Parlour.
Classic Artc Showcase
BachTrack
Club Abbadiani Itineranti
Hickok Maintenance
Russian Records
MusicWeb
Tempo-Electric - Arthur »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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