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End of Life Phonostage
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» Do not “compare” audio e»
» FM and … cables…
» Audio equipment vs. live»
» About Single Driver Spea»
» Romy's Phone Rings
» Listening to Music with »
» Splitting XLR into Multi»
» Ah, Michelangeli...
» Like theese?
» The ultimate buffer – li»
» Preamplifiers: keys to m»
» The FM Radio. What a Hel»
» ... and some Bruckner bu»
» Bruckner 9 live in 30 mi»
» Rhapsody for Tape Record»
» Very in depth considerat»
» My reading for a “smalle»
» Nothing to read.
» Kalinnikov’s First Symph»
» A dive to Auro 3D
» What a week in Boston!
» The Hand Clapping by Fra»
» DC offset for A/D conver»
» New sample 24/96 downloa»
» Unexplained haunting exp»
» What is High-End Audio?
» Shelter 901 on SME 309 t»
» Dukane 5A540 Compression»
» Tannoy Red or Gold monit»
» Soprano Sally Matthews.
» Bose audio and industry »
» Good commercial speakers
» Attempt of a playback sy»
» The realty of UHF and LF»
» A quest for a better SET.
» About speakers Imbedded »
» More about the EdgarHorn»
» An interesting comment, »
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Classical Recordings New»
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Soviet Composers
Exponential/Hyperbolic C»
JBL Products
MusicWeb
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Furtwängler's conserts
Robert Greene’s "Reg on »
Lenard's Opals monitor
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
Micro-Seiki air-suspend»
Vitavox AK151 15" bass »
Musatex’s Bidat Model "»
LF Transformer for 6C33C
Rohde & Schwarz MSDC Mu»
Stage Acompany SA8535 d»
Lamm Industries M1.1 Mo»
Pacific Microsonics Mod»
Vitavox S2/S3 diaphragms
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