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» Super Melquiades Amplifi»
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» My (Amplification + Acou»
» Bach's Cello Suites
» Who makes horns? Archite»
» Audio cabinet of curiosi»
» Reflex enclosures used a»
» 5 way system in the UK
» RDANA - about banning no»
» ELROG tubes sinked but s»
» “Harmonic Speed”- friend»
» Double enclosure or usin»
» Hideous American operas.
» Saying goodbye to the di»
» Tchaikovsky’s “Evgeny On»
» Constant directivity = c»
» About “strangeness” of A»
» Moerch DP6 and DP8 “anis»
» How to sell high-end aud»
» Do not “compare” audio e»
» Khachaturian anyone?
» Building “Zarathustra II»
» The “Wet and Fuzzy” cabl»
» Chopin's Waltzes, Witold»
» SS Power Amps - the FoxN»
» The Art of Pablo Casals,»
» Magico Model 6 loudspeak»
» Why Horn loaded systems?!
» From bad Opera to good O»
» A contemporary great CD »
» Melquiadising other amp?
» Micro Seiki Armboards: I»
» Hiroyasu Kondo: “My thou»
» Musicians' ear
» Upperbass horns – tone v»
» SS Amplification for Com»
» Another "Top five t»
» Shock-absorbing tube soc»
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
High End 2012 in Germany 4963 
Silent Impressions 4960 
The German show 2012 4960 
Gynaecological horns at Munich 2012 4960 
Art For The Ear 4959 
Art For The Ear II 4959 
Art For The Ear III 4959 
About the Polish speaker. 4958 
The strange Silbatone images. 4958 
Silbatone 4958 
Silbatone and polish horn. 4958 
Music theatre sound 4958 
Cessaro’s TAD illness. 4958 
Second harmonic overkill 4957 
Not TAD anymore… 4957 
Vitavox 4957 
Resonances 4957 
Dual diaphragm 4957 
New drivers 4957 
It is better late than never. 4957 
People want(ed) TAD's 4956 
Cesarro, field coil and TADs. 4956 
Silbatone electronics. 4955 
Amplifier design 4955 
Silbatone electronics 4955 
Morrison, Silbatone, GIP , EV30.... 4955 
Pro drivers 4955 
More Silbatone 4955 
The predictable attitude. 4955 
Bass results 4955 
Cesarro vs Silbatone 4955 
Progress 4955 
The Mystic (On the Road Again) 4955 
Original use 4955 
Mecenas 4955 
Martion Orgon 2012? 4950 
Less Martion sound 4950 
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