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» Focal-Jmlab – the Utopia»
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» Remastering (and re-loca»
» How to make musicians to»
» A contemporary AD1 Triod»
» The most emblematic reco»
» Emmerich Kalman (1882-19»
» Tosca, Aida, Madama Butt»
» Measuring reality: empir»
» Tritium Turntables
» The "Nubianco"»
» Klipsch Jubilee horn
» "Something is rotte»
» Arsenic bacteria & G»
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» Eq for 78's
» Lamm hybrids: M1.2 vs. L»
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» Tuva Semminsen sings Viv»
» How idiots destroy sound.
» Tchaikovsky’ Death
» Why second tonearm/cartr»
» 6C33C loading in Super M»
» A revolution for Executi»
» Satisfying result: the R»
» Inner Groove Distortion »
» The Nationals Anthems
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» “They either adore me or»
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
High End 2012 in Germany 4918 
Silent Impressions 4915 
The German show 2012 4915 
Gynaecological horns at Munich 2012 4915 
Art For The Ear 4914 
Art For The Ear II 4914 
Art For The Ear III 4914 
About the Polish speaker. 4913 
The strange Silbatone images. 4913 
Silbatone 4913 
Silbatone and polish horn. 4913 
Music theatre sound 4913 
Cessaro’s TAD illness. 4913 
Second harmonic overkill 4912 
Not TAD anymore… 4912 
Vitavox 4912 
Resonances 4912 
Dual diaphragm 4912 
New drivers 4912 
It is better late than never. 4912 
People want(ed) TAD's 4911 
Cesarro, field coil and TADs. 4911 
Silbatone electronics. 4910 
Amplifier design 4910 
Silbatone electronics 4910 
Morrison, Silbatone, GIP , EV30.... 4910 
Pro drivers 4910 
More Silbatone 4910 
The predictable attitude. 4910 
Bass results 4910 
Cesarro vs Silbatone 4910 
Progress 4910 
The Mystic (On the Road Again) 4910 
Original use 4910 
Mecenas 4910 
Martion Orgon 2012? 4905 
Less Martion sound 4905 
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