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» Michael Fremer Continuum»
» Beware of the monophonic»
» Today: Rachmaninoff in A»
» Why David Robertson does»
» Beware of the "dipo»
» Small double bass horn f»
» Do not “compare” audio e»
» "Something is rotte»
» The 68 dipoles imitation»
» The "Lopsided"»
» Rach’s Prelude in C-shar»
» Multiple Tracks, Each On»
» THE Stargazer
» Where the Horns Light is»
» The idiotism of Audio Sy»
» A book about Loudspeaker»
» Avantgarde Trio G3 Louds»
» Idler Drive - Rumbling I»
» Coral x-viii
» Non-Jewish Jewish music »
» An ultimate horn profile?
» My Analog Playback: the »
» Dynamic range in histori»
» Introduction to “Melquia»
» A sort of DPOLs
» Tweeters for Altec 420y »
» Tosca, Aida, Madama Butt»
» Chicago Lyric Opera on W»
» The “Melquiades” Sound -»
» 3012, 312, M2-12 or ... ?
» De-stress not decompress»
» 23Hz mono horn project.
» The Ridiculous Japa-Braz»
» Putin or Medvedev?
» Trinnov amplitude and im»
» Good midbass is complica»
» Ultimate Tonearm
» The Truly High-End Ampli»
Bookmarked are red
Delta Entertainment
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Martha Argerich Site
Rachmaninoff Society
Norman Lebrecht's blog
Heart's Ease
Jogis Röhrenbude's Site
Appian Publications & Re»
The AHRC Research Centre
The Victor Victrola Page
StateWork Broadcast Reco»
ClassicalNet
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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“Tree Blind Mice” colle»
Micro-Seiki air-suspend»
Altec 515B bass drivers
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Micro Seiki RX-5000
Lamm Industries M1.1 Mo»
Kenwood L-02T FM Tuner
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Vitavox AK-15/40 15" ba»
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