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» How to get a LOT of SET »
» My playback’s sound vs. »
» My (Amplification + Acou»
» Apple helped kill FM...a»
» Abbado + Lucerne Festiva»
» A primer on high-end mar»
» Metal domes
» Open cell foam in horns »
» Gaussmeter wanted.
» How to USE “Resonating O»
» Saying goodbye to the di»
» Try something unusual an»
» How to insert pictures i»
» Weber’s "Andante e »
» The best audio system: m»
» An unexplored way to dea»
» TU-X1 setup
» Patricia Kopatchinskaja »
» Commercial finished horn»
» Zebra horns painting?
» The 5th horns in stack o»
» Bach, Brandenburg Concer»
» Expressive Technologies »
» Balanchine’s “Pathetique”
» The state of High-Effici»
» Yamamura's 6 ways
» Bruckner integral
» June in Boston with Earl»
» Shindo Latour
» Phono stages with SU-1
» An interesting read abou»
» The best 20 hz bass horn
» Kharma Speakers as pH-in»
» Melquiades: too early fo»
» The jump-start of loudsp»
» Prokofiev
» Gas voltage reference 0A»
» The girl with banjo - th»
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The Thiele-Small Loudspe»
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Vitavox AK151 15" bass »
Vitavox S2 Compression »
Korvet “Egg” Tonearm
Vitavox 330Hz Horn for »
Sansui TU-X1 Tuner
CEC TL-0 MK2 transport
Micro Seiki RX-5000
Altec 808A compression »
Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Micro-Seiki MAX-282 To»
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