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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» An Acquired Taste
» Another horn manufacturer
» Carbon Interconnect
» 43.7 Times the Price of »
» John Cage about silence »
» Two-stages, hybrid, smal»
» About playback and messa»
» Fidelity Research FR-7
» About “strangeness” of A»
» Nikolaj Znaider's play a»
» Macondo + Milq… very nic»
» The Brain Inertia.
» Steinway and Lyngdorf lo»
» A Cardboard Effect.
» Amazing Altec 288 ++
» Software for collection »
» What drives good sound?
» Lamm L1 vs. L2 preamp
» Herbie's Hal-O Tube Damp»
» Inner Groove Distortion »
» Miniumum sample rate for»
» DHT driver & input
» Audio and Politic: a sol»
» A request to all members»
» Montreal Audio Show 2013
» You Can Play the Record,»
» Philosophical approach t»
» Bruckner 3rd
» Pacific Microsonics Mode»
» Bruckner Sinfonie Nr.8, »
» Van den Hul 's Grail
» Recording options: Pacif»
» Red Violin Concerto
» Thoughts from Clark John»
» I am not a Nostradamus, »
» 3012, 312, M2-12 or ... ?
» Low output MC?
» Avantgarde method of cap»
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Truesound Transfers
Exponential/Hyperbolic C»
Classical Collections
Classic Records UK
WHRB Radio Station
Max Robinson’s “Fun With»
Hermann Scherchen discog»
Duntech Audio loudspeake»
Holger Klein's Soundpage»
George Szell discography
Musical Musings
Daniels Audio
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
APR 19 Cantus in Rockport o»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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Korvet “Egg” Tonearm
Micro-Seiki MAX-282 To»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
Altec 808A compression »
Rohde & Schwarz MSDC Mu»
Hillock TV-2 tube tester
Sansui TU-X1 Tuner
Ortofon Mono CG 25 Di c»
Micro Seiki RX-5000
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