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» Learning to interpret RTA
» A need for Resolution /S»
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» Playing bad recordings u»
» The Bruckner 5 by Benjam»
» Radio Stations Harmonize»
» Does high-sensitivity sp»
» Nothing Is Perfect
» Esther Kim. What did you»
» Exceptional loudspeakers»
» The Shielding Condoms on»
» Macondo Horns: biography.
» My reading for a “smalle»
» Roger Waters' Ça Ir»
» Speaker Building
» How to train respect aud»
» Nice collection of Artic»
» Designing and building a»
» Whatever they say about »
» Electrostatic tweeter fo»
» Getting more power from »
» Brilliant audio Quotes.
» Sansui AU-X1 bomb...
» The path of simplificati»
» Monophonic bass: myth an»
» What is the difference b»
» Hässler sonata: Gra»
» Greeting every one
» A good young conductor: »
» Audio equipment vs. live»
» Montreal audio show phot»
» DA architecture: True M»
» Good midbass is complica»
» Strings reinforced sound»
» "SOTA Technology&qu»
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The Tape Project
Radiotron Designers Hand»
Orchestra of the Age of »
The National Valve Museum
DaVinciAudio Labs
Archives of Canada
MetManiac Opera Archive
Vintage EV speakers
Koussevitzky & BSO
Stereopal
Dazy Web Labaratory
Adnan Arduman's site.
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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another trump blunder»
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Electro-Voice T350 twee»
Korvet “Egg” Tonearm
Ortofon Mono CG 25 Di c»
Altec 808A compression »
Vitavox AK151 15" bass »
ESS AMT-1A Heil Air Mot»
Vitavox S2 Compression »
Rohde & Schwarz EU-6201»
Vitavox AK-15/40 15" ba»
CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
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