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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Film about Jacqueline du»
» Audio system: my path to»
» Altec Model 19 in Boston.
» 2010 Classical Grammy No»
» The Classical Music Caf&»
» My current conductor obs»
» I can't wait to read the»
» R22
» A quote from a Japanese »
» The "mystery&am»
» The “sounds” that I am l»
» Making of a Steinway.
» Constructing LF modules »
» Music and Arts of Americ»
» High-End Audio "sec»
» DSET phoned home?
» The tools to listening s»
» Time Alignment : Live Pe»
» Pop-music as a side-disc»
» Roomy the cat is going t»
» Output transformer for b»
» Playlists and patience
» Who has best sound in Hi»
» The contra-ridicules sol»
» Zander's new Masterclass
» The low-power SET and de»
» Motion Picture Sound
» The Melquiades' "Re»
» BW Broadcast RBRX Encore»
» An objective tool to tra»
» Simpson Microphones thre»
» The 'Beethoven Test' of »
» Wiring for box speakers?
» What is wrong with the A»
» Crane Radio CCE2
» Training amplifiers
» High End Audio and music»
» Julia Fischer in Boston »
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Lockwood Audio
DaVinciAudio Labs
Toccata Classics
Polish GM70 Poject
Art Songs and Librettos
Audio Database
The Tape Project
Wood Horn Speakers
Linkwitz's "Laboratory"
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Rohde & Schwarz MSDC Mu»
Purist Audio Design Pro»
Musatex-TP Bidat 20-Bi»
Ortofon Mono CG 25 Di c»
Lamm Industries M1.1 Mo»
Korvet “Egg” Tonearm
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Micro-Seiki Arm Board
Fane Studio 8 dual conc»
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