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» Oistrakh(s) on Monitor M»
» How to make a speaker dr»
» A phenomenal find: Garvi»
» SS Power Amps - the FoxN»
» Ravel's Piano Trio; Rubi»
» Do not “compare” audio e»
» SPUnisation of Macondo: »
» Buying cds and records i»
» Ludwig van Beethoven &qu»
» Problems with horns: upp»
» How we "think"»
» Full range Melquiades im»
» Chesky's violin concerto
» Bid Midbass Asian Horns
» 2012 Decca records from »
» Signal variation, noise,»
» Van den Hul 's Grail
» The new G.I.P speakers.
» Myth: High-efficiency L»
» The funny Internet audio»
» Attempt of a playback sy»
» Valve Technology Timeline
» RAAL Dipole Ribbon Tweet»
» EnABL: Just a note to aw»
» THE Stargazer
» Micro Seiki MAX 282 Ques»
» The most appalling audio»
» Vincent Brient’s playbac»
» Melq 6e5p driver stage f»
» The EdgarHorns: the new »
» A weekend of treats by B»
» The Home Theater thought»
» How audio started….
» The mystery of reversed »
» It looks like a simple q»
» How to play Mahler 7 at »
» DA architecture: True M»
» Don't evaluate audio by »
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Nubes Partem
Art Songs and Librettos
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Tube World
The Soul of Sound
Classical Recordings New»
NPR's SymphonyCast
Plasma Tweeters Site
Russian Records
Spinning Dog Records
MusicStack
Rachmaninoff Society
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
Musatex’s Bidat Model "»
Pacific Microsonics Mod»
Vitavox AK-15/40 15" ba»
Ortofon Mono CG 25 Di c»
Vitavox S2 Compression »
Tribute Output Amorphou»
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LF Transformer for 6C33C
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