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» Midbass impedance bumps »
» Bach Cello Suites
» Something that a loudspe»
» Absolutely the best audi»
» The Lieberson’s Neruda S»
» Passive line level cross»
» Another "Top five t»
» "Seamless extended »
» You Can Play the Record,»
» Maxonic drivers from Jap»
» High-End Audio. The thir»
» Exceptional loudspeakers»
» A quest for a better SET.
» Loudspeakers and headpho»
» Getting Started with Mya»
» Van den Hul famous FAQ c»
» Aesthetix Rhea Signature»
» The high-end audio, as i»
» Yep, Bach would do it….
» The Sakuma's Show
» The mystery of AmpX
» The FM Stereo and Multi»
» The funny Internet audio»
» Use absolute polarity as»
» Archimago's Musings talk»
» Idea of a 3way horn syst»
» A book about Loudspeaker»
» The Audio of 21 century:»
» Pikovaya Dama / Queen of»
» A new 'chic' foolishness»
» Bach and Rain
» Seven hours of live musi»
» Dennis Colin's Sound Str»
» Tuuubes - where are the »
» Crossover Design
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Classical events in Boston
APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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Thomas, Janet Owen (29 Jan»
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My Audio Leftovers
Micro Seiki RX-5000
Kenwood L-02T FM Tuner
Korvet “Egg” Tonearm
Stage Acompany SA8535 d»
Vitavox AK-15/40 15" ba»
Micro-Seiki Arm Board
SME M2 - 12" Tonearm wi»
Pacific Microsonics Mod»
Tribute Output Amorphou»
Altec 515B bass drivers
“Tree Blind Mice” colle»
More Leftovers »»