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» The benefits of ultra hi»
» Dubbing LP to digital.
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» For one day only
» Another topic on vitavox»
» The ultimate worst best »
» The irony of playback ph»
» Earl Geddes: I can't her»
» High-End Audio and ... c»
» Parts As Facilitators or»
» Making LPs; What Goes In»
» Really Expensive DACs?
» Roomy the cat is going t»
» RCA driver made in China
» Single-stage Melquiades »
» Bass impact on Turntable»
» Turntable Design
» Living Voice Loudspeaker
» Devid Berning amplifiers»
» Convergent Legend Preamp»
» The commercial music ser»
» How to select mid/upper »
» Revisiting DSP
» Problems with horns: upp»
» To Rip or not to Rip.
» I hate, hate, hate, hate»
» Bach, Brandenburg Concer»
» Andrew's new 4-way horn »
» Vintage JBL products lin»
» Etheraudio's some BS….
» Resonating hi from overs»
» The Krell’s cursed Sound»
» What is wrong with the A»
» The Absolute Sound of Au»
» The Evolution of Honk.
» Where the FM quality com»
Bookmarked are red
Silent Running Audio
Bruce Edgar's Edgarhorn »
BuyWell Australia's Clas»
The Music Parlour
Boom's Dungeon
Haenssler Classic
Dolmetsch Online
Toccata Classics
Subito-Cantabile
Direct Drive TT
Furtwängler's conserts
Audio Spot Kamani
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Purist Audio Design Pro»
Vitavox S2/S3 diaphragms
Ortofon Mono CG 25 Di c»
Rohde & Schwarz MSDC Mu»
Stage Acompany SA8535 d»
LF Transformer for 6C33C
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Altec 515B bass drivers
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Korvet “Egg” Tonearm
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