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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Benjamin Grosvenor is co»
» Making it sing...
» Horn placements - horns »
» How to start Classical M»
» The “bread and circus” o»
» High End 2012 in Germany
» Introduction to “Melquia»
» Pop-music as a side-disc»
» JBL2440 on a round 300Hz»
» Playing American Music o»
» The Remote System Manage»
» Bass impact on Turntable»
» The contra-ridicules sol»
» New Motor for an Old Sot»
» Micro RX5000: is that be»
» Vintage JBL products lin»
» Audio equipment vs. live»
» The single-stage Milq an»
» Records Box Stuffing
» Dvorak Cello Concerto in»
» Ways to use audio method»
» 23Hz mono horn project.
» “How audio might sound”
» Copper Mat on a Micro Se»
» More about the EdgarHorn»
» My Audio Philosophy
» A longer CD-Rom cable.
» Speakers: a hi-fi disast»
» A sort of DPOLs
» Turntable Design
» The low-power SET and de»
» Mahler 3 and BPO.
» The differential diagnos»
» The nature of "soun»
» The "Nubianco"»
» NOhorn channel for “the »
» Open Baffle Speaker Desi»
» Say “no” to the light to»
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Jogis Röhrenbude's Site
Austria's Musical Exiles
Unofficial Vitavox Site
Doremi CD label
Good-Music-Guide
VIP Records
Clemens Krauss Archive
Tubecad publication
Rottenburger Museen
Thunderstone Audio Websi»
Recording Technology His»
Rachmaninoff Society
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APR 16 NEC Symphonic Winds »
APR 18 Andris Nelsons, cond»
APR 18 Britten’s A Midsumme»
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Hume, Tobias ( ca. 1569-1»
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Hillock TV-2 tube tester
Altec 515B bass drivers
LF Transformer for 6C33C
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Micro Seiki RX-5000
Purist Audio Design Pro»
CEC TL-0 MK2 transport
Micro-Seiki MAX-282 To»
Micro-Seiki Arm Board
Stage Acompany SA8535 d»
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