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» Dvorak Cello Concerto in»
» Lampizator horn
» Goodbye to EMI?
» New show in US, some new»
» The wonderful Alisa Weil»
» The Patrick Flanagan’s N»
» Full range Melquiades im»
» Oliver Sacks' "Musi»
» Help with RF loop
» About cost of electromag»
» EnABL: Just a note to aw»
» Looking for different So»
» Recording/Playback softw»
» So, What's the Story on »
» Kalinnikov’s First Symph»
» New Motor for an Old Sot»
» More 6E5P-6C33C amps.
» Who the hell is this int»
» Classical Music for the »
» Thoughs about “My Playba»
» A beautiful miller's dau»
» Cool running AB amplifie»
» Bruckner Ninth and the W»
» Eighteen Sound ND1460A c»
» Contributing factors in »
» Good commercial speakers
» MF on AF2, and (perhaps)»
» Chasing utopian better p»
» Phase plug for midbass
» About playback and messa»
» Dinsdale Horn Design Art»
» The 5th horns in stack o»
» The Bruckner 5 by Benjam»
» Initial thoughts about n»
» Soundsmith’s analog idea»
» A speaker set with JBL 2»
» Klipsch Jubilee
» Micro RX5000: is that be»
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Audio Perfectionist
Classical Music Streams
Valves Collection
GS Tube
ElecroVoice’s Vintage Pr»
Conductor’s Corner
Tahra Records
John Lenard Burnett's si»
Value of Records Tool
GedLee loudspeakers
Glenn Gould Audio Archiv»
Exponential/Hyperbolic C»
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APR 11 Benjamin Zander, con»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
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Micro-Seiki air-suspend»
Electro-Voice T350 twee»
Altec 515B bass drivers
Koetsu Onyx Platinum Ca»
SME M2 - 12" Tonearm wi»
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Lamm Industries M1.1 Mo»
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CEC TL-0 MK2 transport
Purist Audio Design Pro»
LF Transformer for 6C33C
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