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» Bruckner Ninth and the W»
» More power from Melquiad»
» Double enclosure or usin»
» Assemble it yourself?
» If you’re multiamping th»
» Constant directivity = c»
» How to evaluate playback»
» Off-the-wall playback or»
» Nothing to read.
» Measuring reality: empir»
» The decentralization and»
» Getting Started with Mya»
» Real-time free and publi»
» Do not over-damped your »
» Tonearm Alignment Method
» Sound is like a proverbi»
» The UnipheyeMusic and St»
» A primer on high-end mar»
» Audio Tekne driver align»
» FMFool – a truly useful »
» How to get a LOT of SET »
» Horn length/expansion/gr»
» Lavry D9a26 Power Supply
» My CES
» First Bruckner listening»
» Okada’s installation.
» Antenna solutions for FM
» The Brain Inertia.
» Macondo – Super Melquiad»
» A subwoofer of death, no»
» Micro Seiki SZ-1T
» Digital crossovers self-»
» Romy...thoughts on Lamm »
» The single-ended pretens»
» The loudspeakers for a p»
» Today's best turntables »
» Archimago's Musings talk»
» Yep, Bach would do it….
Bookmarked are red
Parnassus Records
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Vincent Brient's Sit
Greg Sando’s Site
Linkwitz's "Laboratory"
The Opera Critic
Haenssler Classic
The Thiele-Small Loudspe»
Thomas Dunker's Site
Recording Technology His»
OperaGlass
Dan Lavry's Forum
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Micro-Seiki Arm Board
Ortofon Mono CG 25 Di c»
Micro-Seiki air-suspend»
Kenwood L-02T FM Tuner
Vitavox AK151 15" bass »
Lamm L2 Reference pream»
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