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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Shi-Yeon Sung and BSO
» My recent FM mystery
» And a Bruckner 8 the day»
» Smetana's Piano Trio
» About my listening habit»
» Understanding Line Array»
» Beethoven PC 5 Surprise »
» About “strangeness” of A»
» Active Tonearm Monitorin»
» Listening playback with »
» Excerpt: Beethoven Cello»
» Crane Radio CCE2
» Julia Fischer in Boston »
» The Audio of 21 century:»
» Mid-bass Hornresp (V51.3»
» FM and … cables…
» Klipsch Jubilee
» What is it all about? De»
» The K&K SE hybrid ph»
» When the stars aligned.
» Living Voice Loudspeaker
» The “sounds” that I am l»
» Faberryman and the CES 2»
» What to do in office?
» Dubbing LP to digital.
» The jump-start of loudsp»
» Bye-Bye, Fane
» The CES 2005
» About moronity of DIY Au»
» The ultimate buffer #2..»
» A great production of th»
» About reviewer’s qualifi»
» The WHRB Wagner’s Ring C»
» High-End Audio demo, the»
» DHT driver & input
» Mahler 3 and BPO.
» Japanese Super High Mate»
» Integrated sound field o»
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Louis Speichler's Records
GS Tube
Michelangeli Site
Vincent Brient's Sit
Orchestra of the Age of »
Adnan Arduman's site.
Tonal tests
Western Electric manuals
MetManiac Opera Archive
Jong Woo's Site
Scriabin's Sonatas
Robert Greene’s "Reg on »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Driver Alignment, and Where to Draw the Line 6595 
I have writhen about it before somewhere..... 6594 
time alignment 6594 
Measured Progress 6594 
Vertical tilt adjustment for horns 6594 
The deaf skeptics, take note. 5521 
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