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End of Life Phonostage
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» Floor reflections
» Celebrating Anton Bruckn»
» What to do in England?
» New Sonus Faber
» Hideous American operas.
» Amazing Altec 288 ++
» Better DAW by a “second”»
» Seven hours of live musi»
» Rach’s Prelude in C-shar»
» Observations and Thought»
» Push pull compound compr»
» Buying cds and records i»
» DIY LCR phono
» How we "think"»
» Lamm Industries: a speci»
» Turntable Design
» Best of the HE2006!!!
» 3012, 312, M2-12 or ... ?
» Balanchine’s “Pathetique”
» The “Right of Spring” – »
» Today’s SACD - music for»
» Too damn loud?
» An ultimate transformer »
» Resonating hi from overs»
» Good midbass is complica»
» Do not buy Brand and Mod»
» Pono & Meridian - an»
» Unexplained haunting exp»
» Klipsch Jubilee horn
» The best Third Movement »
» Monitors: Wishful thinki»
» A different type of uppe»
» The Lavry Gold DA924 ++
» Make your own horns?
» Why I do not love Mahler?
» Virginia Tech and Music
» The exaggerated boots un»
» Achingly Beautiful Arias
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About FM Antennas
Altec divers/horns
Random Classics
The Handelmania Podcast
OperaGlass
Audio Anthology
Sibelius Academy music l»
Wood Horn Speakers
Instant Encore
Conductor’s Corner
Lockwood Audio
Pjay's Speaker building »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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LF Transformer for 6C33C
Stage Acompany SA8535 d»
Micro-Seiki air-suspend»
Koetsu Onyx Platinum Ca»
Musatex-TP Bidat 20-Bi»
Kenwood L-02T FM Tuner
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Ortofon Mono CG 25 Di c»
Altec 515B bass drivers
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