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End of Life Phonostage
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» A subwoofer of death, no»
» Live memories of Live br»
» Verify that you sources »
» Shaky tubes, echo testing
» Http://goodsoundclub.com»
» Thoughts on midbass horn»
» Sansui AU-X1 bomb...
» Romance, Food & Mahl»
» Micro Seiki RX-5000 stat»
» What drives good sound?
» MacondoLite
» RCA driver made in China
» Cobbett
» The funny Internet audio»
» The audiophile’s stupid »
» The “new” ways for initi»
» Japanese Super High Mate»
» A right midbass solution»
» Nice pair of S2s on eBay»
» Why the tubes shall be t»
» High End 2012 in Germany
» Streophile show 2007 and»
» MDTunes™ from SoundLab l»
» Micro Seiki MAX 282 Ques»
» Like theese?
» Choice of Fireware Inter»
» Too damn loud?
» Brahms, "Liebeslied»
» Orion Phono Preamplifier
» What, no Mahler?
» Barn Conversion - James'»
» Those experiences. Early»
» Matching audio to music:»
» Getting more from MF cha»
» Help FM Broadcast
» Avantgarde method of cap»
» RIP Oscar Peterson
» SET and speakers: disreg»
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Classic Artc Showcase
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Vladimir Lamm Site
Electron Tube Data sheets
Soviet Composers
High-Tech Hi-Fi
GEMM catalog
Lockwood Audio
Max Robinson’s “Fun With»
Marston Records
Nornan Lebrecht's blog
Lenard's Opals monitor
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APR 23 Bamberg Symphony, Ja»
APR 23 Piano Master Series »
APR 24 Boston Conservatory »
APR 25 NEC Chamber Singers »
APR 25 Andris Nelsons, cond»
APR 25 Mozart: Don Giovanni»
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APR 26 Mozart: Don Giovanni»
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Sansui TU-X1 Tuner
Micro-Seiki MAX-282 To»
Purist Audio Design Pro»
“Tree Blind Mice” colle»
Korvet “Egg” Tonearm
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Tribute Output Amorphou»
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