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Audio critique – open yo»
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The silence after coda
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The 24 bits of Christmas
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A full-range quality-tri»
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Analogue to digital conv»
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Dick Burwens "low c»
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Performance of a week.
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Macondo – Super Melquiad»
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Listening to Music with »
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Trash your “full-rage”, »
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Amplifiers heat… a real-»
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Correcting Filters and t»
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The Home Theater thought»
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Sound from behind a wind»
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Playback evaluations mad»
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Class “D” – the industry»
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The new G.I.P speakers.
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How to USE “Resonating O»
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The meaning of lowest oc»
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SET amplifiers
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Why GOTO do not care abo»
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SET and speakers: disreg»
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Wagner and loudness.
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The DSET perspective exa»
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Reality Check system to »
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An angry engineer...
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Shostakovich’s 100th bir»
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My new “New” listening r»
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The Evolution of Honk.
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My old Fi-Hi gear associ»
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Headphone amplifiers. Ba»
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TU-X1 setup
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HD Radio? Good, bad or u»
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Micro seiki SX-8000 Air »
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Who has best sound in Hi»
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BBC broadcasting radio e»
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Happy New Year
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Solid state revisited
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Classical events in Boston
APR 11
Benjamin Zander, con»
APR 12
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Takács Quartet in Gr»
APR 17
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Composer's Anniversaries
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Patterson, Shawn (14 Septe»
Ghadimi, Vincent (14 Septe»
Benjamin, Tim (14 Septembe»
My Audio Leftovers
Hillock TV-2 tube tester
Conscience of audio rev»
Altec 515B bass drivers
Tribute Output Amorphou»
Micro Seiki RX-5000
Pacific Microsonics Mod»
SME M2 - 12" Tonearm wi»
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