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Site News: 07 Jun 2025
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» HELP: I’m a line-level l»
» Next week in Metropolita»
» A single worst thing in »
» Correcting Filters and t»
» Targeted Audio Listening»
» Benjamin Britten’s Violi»
» Focal-Jmlab – the Utopia»
» The industry-embraced au»
» The mystery of reversed »
» Tanglewood Music Center »
» Wagner and loudness.
» About the life-expectanc»
» (monitor vs hifi speaker»
» Use absolute polarity as»
» Baltimore Symphony Appoi»
» Despicable me
» The “Dead Points of Live»
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» Choice of Fireware Inter»
» Best streaming service 2»
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» Graphene for Audio
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» Driver tubes, grid leak »
» USB microscope for setti»
» Copland/BSO/Copland
» Should I low pass the mi»
» Strings reinforced sound»
» Impulse response, short »
» Why Hight-End Audio, as »
» Hiroyasu Kondo: “My thou»
» The 6E5P tube data.
» Wet/Dry ™ configuration »
» Bye-Bye Reel
» The BBC program about gr»
» New superlative horn bui»
» The 5-ways from Germany.
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Classical events in Boston
AUG 1 Chamber Music in Bru»
AUG 1 Sustaining Our Beaut»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
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AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Planquette, Robert (31 Jul»
Stephan, Naomi (31 July 19»
My Audio Leftovers
Micro-Seiki MAX-282 To»
Koetsu Onyx Platinum Ca»
Rohde & Schwarz EU-6201»
Micro-Seiki Arm Board
ESS AMT-1A Heil Air Mot»
SME M2 - 12" Tonearm wi»
Tribute Output Amorphou»
Lamm L2 Reference pream»
REL Precedent 646C tuner
“Tree Blind Mice” colle»
Electro-Voice T350 twee»
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