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» Sub-woofer integration w»
» Melquiades (D-Set) parts»
» Some evidence for the ch»
» An ultimate horn profile?
» John Curl’s new phonosta»
» Small SET’s bass, beside»
» Electro-Voice T350, T35,»
» Rachmaninoff’s Symphony »
» LeCleach vs. tratrix and»
» Vitavox ak151 in klipsch»
» The FM Stereo and Multi»
» The dynamic range of our»
» The elusive “absolute to»
» Artificial Phases Random»
» Music and Arts' Spring.»
» About the pre-warming of»
» Yo-yo Ma live on the int»
» A turntable platter as a»
» The “Dead Points of Live»
» Targeted Audio Listening»
» Curiosity about others. »
» The experiments with rem»
» Vinyl Ceremonies: Repeat»
» Who builds horns?
» Scientific vs. audio act»
» FM Acoustics
» Liszt Piano Sonata &»
» Polarity Tester – a must»
» Dreams about Audio
» Lowther Driver
» We who are about to die.»
» The Krell’s cursed Sound»
» Bass impact on Turntable»
» How audio started….
» John Luther Adams's Beco»
» Initial thoughts about n»
» Best recording I heard i»
» Contact-free volume cont»
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Input Choke & Resonant C»
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