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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Stage Music: get clew.
» The “theories” about the»
» High-End Audio and ... p»
» A subwoofer of death, no»
» Mahler 3 and BPO.
» Romy's Multi-cell Horns »
» Any recommendations?... »
» Dedicated Music Room Bui»
» "Not So Sweet Spot&»
» SF audio gurus?
» Munich High End 2010
» The great pianist Earl W»
» Has anyone built the DIY»
» How we "think"»
» Bermuda Triangles of Aud»
» Truly a new use of high-»
» The ultimate worst best »
» It is imposable to “hear»
» The loudspeakers for a p»
» Equalizer? Hm…
» My Analog Playback: the »
» Computer Audio
» Audio and Music: four le»
» RMAF06 Show Report
» Woman conductor?
» Boston and Liszt’s Secon»
» Lecture on history of ar»
» Denouncing of idea of Ba»
» The benefits of ultra hi»
» Semi-Interesting film fr»
» Moscode, Morecode, Moron»
» Signal variation, noise,»
» Where the Horns Light is»
» Hmmm... the sad truth ab»
» To Milq builders: correc»
» Mravinsky/Leningrad from»
» Electro-Voice T350, T35,»
» “Why horns”, years later.
Bookmarked are red
Hermann Scherchen discog»
Wiener Philharmoniker Di»
Berkshire Record Outlet
Olson Acoustical Book
Linkwitz's "Laboratory"
Electron Tube Data sheets
33+45=78
Input Choke & Resonant C»
Lockwood Audio
Recording Technology His»
Unofficial Vitavox Site
Wing Records
More Links »»
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