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End of Life Phonostage
Audio Demoronizator AD-1
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» The nature of "soun»
» My playback can’t play l»
» June in Boston with Earl»
» Monitors: Wishful thinki»
» What, no Mahler?
» The GoodSoundClub’s ‘Ult»
» Yamaha ns1000m speaker p»
» Reel-to-Reel Tape vs. Ra»
» Maxim Vengerov: Encore i»
» The Free Intent Audio Jo»
» Friedrich Kuhlau and his»
» LLoyd Walker Never Rests
» Chopin's Waltzes, Witold»
» The “better speakers” to»
» Corner Speakers for a ne»
» CD horn and JBL: Crossov»
» Headphone amplifiers. Ba»
» The industry’s high qual»
» New Horn Speaker Manufac»
» Joël Durand Intervi»
» Chicago Horn Loudspeaker»
» What drives good sound?
» “Why horns”, years later.
» Sound from behind a wind»
» About my listening habit»
» Today: Rachmaninoff in A»
» Perception of bass?
» I think about War lately.
» The last message of audi»
» Capturing live internet »
» High End 2012 in Germany
» Mravinsky/Leningrad from»
» Anything wrong with wide»
» TU-X1 setup
» DHT driver & input
» The differential diagnos»
» Dialog with Industry Rain
» MacondoLite
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Greg Sando’s Site
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Audiomisc
Rachmaninoff Society
DaVinciAudio Labs
Tempo-Electric - Arthur »
Daniels Audio
The Leonard Cohen Files
GS Tube
Wing Records
Great Plains Audio
The Cartridge Database
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Buss, Howard (6 January 19»
Rahman, Allah Rakha (6 Jan»
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Hunter, Ben (6 January 197»
Lamm ML-2 Single-Ended »
Micro-Seiki MAX-282 To»
Vitavox S2/S3 diaphragms
SME M2 - 12" Tonearm wi»
Micro Seiki RX-5000
Micro-Seiki air-suspend»
Altec 808A compression »
Ortofon Mono CG 25 Di c»
Altec 515B bass drivers
Vitavox 330Hz Horn for »
Kenwood L-02T FM Tuner
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