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» Zander, BPO, George Li a»
» A cutoff horn loudspeake»
» How to train respect aud»
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» Oliver Sacks' "Musi»
» Friedrich Kuhlau and his»
» A response to David Hurv»
» Ophelie Gaillard renders»
» The Berlin Philharmonic »
» The Thomas Blumenhofer’s»
» Other Ways of getting Sp»
» My Multi-way Horns
» Bruckner 3rd
» FMFool – a truly useful »
» New Barenboim’s Bruckner»
» Best recording I heard i»
» New speaker system
» The best Third Movement »
» Long Range Acoustic Devi»
» Soundsmith’s analog idea»
» Explain TAD ET-703 drive»
» A revolution for Executi»
» Why the tubes shall be t»
» Professional sound syste»
» All Active! A DSET and m»
» High-End Audio. The thir»
» Herbie's Hal-O Tube Damp»
» Dynamic viscose stabiliz»
» My beloved Contraltos: k»
» The corrupted listening »
» Wharfedale Super 12/RS/D»
» The leather-suspended dr»
» Cable Current Loading
» Super Melquiades, Macond»
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» DBT - a signature of lis»
» Sound of Ehernet cables?
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
Altec 515B bass drivers
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Micro-Seiki air-suspend»
Fane Studio 8 dual conc»
ESS AMT-1A Heil Air Mot»
Electro-Voice T350 twee»
CEC TL-0 MK2 transport
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