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» Playback and operation o»
» Eighteen Sound ND1460A c»
» A question to DIY musico»
» Chinese upperbass horn.
» Rubinstein at Carnegie H»
» Music in the Sound: a mo»
» Fantasies about 10Y
» I wish I could speak Ger»
» The elusive “absolute to»
» The Hand Clapping by Fra»
» Educate yourself WHY you»
» The Home Theater thought»
» Srajan Ebaen and Juicy-C»
» Idea of a 3way horn syst»
» 5 Channel Version of Mel»
» Macondo and ALE drivers,»
» THE book on intonation
» Horns with contra-profil»
» Driver Alignment, and Wh»
» It’s mad, mad, mad... e»
» The new G.I.P speakers.
» His Master Voice’s Shade»
» Brian Cheney of VMPS
» Electrostatic Sub Horn
» Schimmel's Voxativ Ampeg»
» Compression drivers and »
» The inflatable speakers »
» The crossovering Messiah»
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» EMM Labs hits… the chick»
» Multicellular horns
» Impressions from High En»
» Rim drive?
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» Cobbett
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» Some Audiogon realty
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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Legrand, Michel (24 Februa»
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Ada, Selman (24 February 1»
My Audio Leftovers
“Tree Blind Mice” colle»
Koetsu Onyx Platinum Ca»
SME M2 - 12" Tonearm wi»
Lamm L2 Reference pream»
Conscience of audio rev»
Vitavox AK151 15" bass »
Mid-range tantrix round»
Pacific Microsonics Mod»
Altec 515B bass drivers
Micro-Seiki Arm Board
Fane Studio 8 dual conc»
More Leftovers »»