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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Lamm ml2 voltage 110v to»
» Where are the full-funct»
» About the DAW playback s»
» How much does it cost to»
» A request to all members»
» The Edgarhorn RTA respon»
» The single-ended pretens»
» Tannoy's Flagship by Jef»
» FM Acoustics: The most i»
» If you were to start fro»
» Omni-directional 'horny'»
» Pure Audio Blu-ray.
» The 6E5P tube data.
» About audio sales and h»
» I wish I could speak Ger»
» Melquiades: too early fo»
» The nature of "soun»
» TX-103s...
» Berlioz Requiem / Pavaro»
» HELP: I’m a line-level l»
» Single-stage Melquiades »
» A quest for a better mon»
» The Hannes Kastner’ Tocc»
» Weiss MAN301 Music Server
» Happy birthday Johann Se»
» The last message of audi»
» High-End Audio and.... &»
» Sound of line level filt»
» Ludwig van Beethoven &qu»
» Time alignment of drivers
» Playback and chamber mus»
» Mid-bass Hornresp (V51.3»
» Hmmm... the sad truth ab»
» The "anecdotal"»
» Playlists and patience
» Playback as an expressiv»
» Conductors and Audio Sou»
» MacondoLite
Bookmarked are red
Eugene Ormandy Pages
Hughs Ominous Tubes
High-Tech Hi-Fi
Boston Philharmonic Orch»
Max Robinson’s “Fun With»
Linkwitz's "Laboratory"
Valves Collection
Classical Composers
BostonSymphony's Channel
Aria Database
Conductor’s Corner
Robert Greene’s "Reg on »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
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Sansui TU-X1 Tuner
Micro-Seiki air-suspend»
Hillock TV-2 tube tester
Lamm ML-2 Single-Ended »
REL Precedent 646C tuner
Fane Studio 8 dual conc»
Korvet “Egg” Tonearm
SME M2 - 12" Tonearm wi»
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