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» Paganini's Daemon : A Mo»
» Mravinsky/Leningrad from»
» My beloved Contraltos: k»
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» Truly a new use of high-»
» Taking the mystery out o»
» Midrange driver suggesti»
» Goto SG-370DX measurement
» How Piazzolla should sou»
» Back chamber
» Chostakovich: Concerto »
» Macondo: new horizons. A»
» Discovered a great chora»
» Janine Jansen
» Nanse Gum and his Euro-A»
» Le Poeme Harmonique
» SET and speakers: disreg»
» 5 way system in the UK
» Melquiades (D-Set) parts»
» Make your own horns?
» Passive line level cross»
» Like theese?
» Rachmaninoff’s Symphony »
» Bruckner Ninth and the W»
» Input choke for Low Curr»
» My playback: what is nex»
» Achingly Beautiful Arias
» Vitavox’s S2 Survival Gu»
» Thank you, Sir! May I ha»
» The mystery of AmpX
» Interesting non horn spe»
» RIAA pole two = 501,12 Hz
» An idea of Individual Re»
» Professional sound syste»
» What is wrong there and »
» Playback and chamber mus»
» An Afternoon with Gary K»
» Understanding Line Array»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
Hillock TV-2 tube tester
Rohde & Schwarz EU-6201»
Ortofon Mono CG 25 Di c»
Micro-Seiki air-suspend»
Musatex’s Bidat Model "»
Vitavox 330Hz Horn for »
Rohde & Schwarz MSDC Mu»
CEC TL-0 MK2 transport
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Purist Audio Design Pro»
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