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» Woofers cone repair – a »
» Stage Music: get clew.
» A fresh take on 9th by t»
» Brahms' Magelone Songs
» In defense of Mikhail Pl»
» The centuries old strugg»
» Naked Sound and Whether.
» EdgarHorn Speaker Project
» The LavryBlack DA11 Ster»
» “Hearing Modernity” at H»
» The invisible sound barr»
» A great conductor - but »
» The "Nubianco"»
» Full range Melquiades im»
» Editing your own posts
» Do not buy Brand and Mod»
» Accuracy vs. Musicality »
» New Bamboo Speakers Feed»
» Some Horns propaganda
» Apple helped kill FM...a»
» Richard Wagner. Somethin»
» High End Munich 2023
» A great production of th»
» Audio equipment vs. live»
» The many sounds of a City
» High Quality Music Serve»
» Playback and chamber mus»
» The wonderful Alisa Weil»
» Natural Remedies for Sic»
» Summer Refreshment; the »
» The fantastic Lucas Deba»
» My Multi-way Horns
» The Melquiades' "Re»
» Audio critique – open yo»
» Oistrakh(s) on Monitor M»
» It was seventy years ago»
» More or less pleasure: w»
» Patricia Kopatchinskaja »
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Value of Records Tool
Alexander Karpov’s “Next»
Arbiter Records
Wolds Opera Broadcasts
The Cartridge Database
Doremi CD label
Heart's Ease
Michelangeli Site
Classical Composers
Art Songs and Librettos
Virtuosos Discographies
Classical Recordings New»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Musatex’s Bidat Model "»
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Korvet “Egg” Tonearm
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Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
Pacific Microsonics Mod»
Micro-Seiki MAX-282 To»
Hillock TV-2 tube tester
Fane Studio 8 dual conc»
Purist Audio Design Pro»
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