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» Drama vs. Chic
» What to do in England?
» Do curved corners help???
» The ridicules naming of »
» 3 way Tractrix Horn Buil»
» Rachmaninoff Piano Conc»
» Aporia - Silbatone Acous»
» Bach Cello Suites
» Electro-Voice Tweeter an»
» Reviewing preamps by imb»
» Micro Seiki DD30 Headshe»
» It’s mad, mad, mad... e»
» Crossover Design
» Suggestion on my introdu»
» It is all about hard sur»
» George Orwell and loudsp»
» Sick CEC TL0
» The single-stage Milq an»
» Hideous American operas.
» Kevin Brooks Acoustic Sy»
» Where are our good phono»
» Got new mid/high horns. »
» My today’s views on LP c»
» Prom 22 - if only all or»
» A cutoff horn loudspeake»
» Yamaha B-2 V-FET amplifi»
» Zander's new Masterclass
» Audio equipment recommen»
» Orphean horns of bd desi»
» Remote control, problems»
» Next week in Metropolita»
» Wiener Philharmoniker r»
» My beloved Contraltos: k»
» Suggested target curves »
» Digital crossovers self-»
» About Darwinism of Music»
» Single-stage Melquiades »
» Orchestra of 32 Loudspea»
Bookmarked are red
Good-Music-Guide
Olson Acoustical Book
Austria's Musical Exiles
Audio Spot Kamani
Ron Penndor's Recollecti»
Unofficial Vitavox Site
Elliott Sound Products
Alexander Karpov’s “Next»
Dan Lavry's Forum
Parnassus Records
Delta Entertainment
Hughs Ominous Tubes
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Micro Seiki RX-5000
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Sansui TU-X1 Tuner
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Micro-Seiki MAX-282 To»
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Pacific Microsonics Mod»
Kenwood L-02T FM Tuner
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