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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Anyone experimented with»
» Playback journeys and Mu»
» Valve Technology Timeline
» Interesting use of Lunda»
» About Wilson Audio Louds»
» The "new" Shos»
» Nikolaj Znaider's play a»
» Lithuania enters the gam»
» Macondo and ALE drivers,»
» About Omnivorenes of Pla»
» Perception of bass?
» RX-5000 Thread tension.
» Tanglewood's 75th annive»
» The BSO and Digital Musi»
» Klipsch Jubilee horn
» The iHorn - a passive a»
» Melquiades: too early fo»
» Interesting non horn spe»
» Use absolute polarity as»
» Tritium Turntables
» Conductors and Audio Sou»
» Story of my discovery - »
» What you do when you cat»
» Listening playback with »
» Short midbass horns
» Initial thoughts about n»
» A dive to Auro 3D
» Alfred Schnittke’s Gogol»
» Someone is DSETing, it s»
» Romy the Cat’s Audio Hom»
» Audiophile Re-issues: Wh»
» Semi-Interesting film fr»
» DBT - a signature of lis»
» Modifying TAD 2404
» Chesky's violin concerto
» Always check power-line »
» I good spot-light for a »
» Good commercial speakers
Bookmarked are red
OperaGlass
Vladimir Lamm Site
Russian Music in 20th Ce»
GEMM catalog
MusicStack
Great Plains Audio
Tube World
OboinaThor
MusicWeb
Furtwängler's conserts
Composers Forum
Technical books online
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Ortofon Mono CG 25 Di c»
Altec 515B bass drivers
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Sansui TU-X1 Tuner
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Electro-Voice T350 twee»
ESS AMT-1A Heil Air Mot»
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Musatex-TP Bidat 20-Bi»
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