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» Digital crossovers self-»
» The most promising “best»
» Tweeters: the most misus»
» The Softer Side of a Har»
» For one day only
» Myth of CD clocking = Tr»
» Big mama 1.5" horns»
» The 24 bits of Christmas
» Listening Pipe Organ Mus»
» Learn to differentiate b»
» An angry engineer...
» Rudolf Barshai conducts »
» The best audio source EV»
» What is wrong there and »
» Earl Geddes: Horny Book
» Some kinky goodies from »
» Very interesting
» The best Third Movement »
» How Mussorgsky should so»
» Transition : Driver to t»
» Equalizer? Hm…
» Alfred Schnittke’s Gogol»
» How High-End Audio can b»
» Don't evaluate audio by »
» Planning my DSET
» The great Corus performa»
» Multiple Tracks, Each On»
» Bravo Brahms, Bravo Wand»
» Chesky's violin concerto
» Where are our good phono»
» Radio Stations Harmonize»
» Horns and digital crosso»
» Radio Netherlands’ Live!»
» Srajan Ebaen and Juicy-C»
» Why horn-loaded loudspea»
» Placido Domingo... condu»
» Some conical horns anti-»
» How to waste $25.000.00
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Sansui TU-X1 Tuner
CEC TL-0 MK2 transport
Musatex’s Bidat Model "»
Micro-Seiki Arm Board
Lamm Industries M1.1 Mo»
Vitavox S2/S3 diaphragms
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SME M2 - 12" Tonearm wi»
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