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» Schubert's Dancing Cats
» WGBH Opera Bash 2009
» Audio equipment vs. live»
» The “Primary Frequencies»
» Milq: Starting the proje»
» DA architecture: True M»
» The irony of playback ph»
» Null-set dipole butterfl»
» High End Munich 2014 imp»
» The Classical Music Caf&»
» Wywires – “Custom” desig»
» Using chairs as phase ra»
» Preamp/linestage recomme»
» Horn Speaker Leftovers f»
» The New Year Concerts wi»
» A DSET is better then an»
» I wonder when Chinese be»
» A fundamentally faulty J»
» Back chamber
» Lutoslawski Concerto for»
» Transition : Driver to t»
» Boston Vinyl Stores?
» Czech Republic's Audio
» An interesting TT link: »
» Shindo Latour
» Some horn writing by Tho»
» Chicago Lyric Opera on W»
» Copyright protection for»
» Yamaha 6681B
» Getting more from MF cha»
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» Which SME 3009?
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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LF Transformer for 6C33C
Pacific Microsonics Mod»
Musatex’s Bidat Model "»
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Musatex-TP Bidat 20-Bi»
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Micro-Seiki MAX-282 To»
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Korvet “Egg” Tonearm
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