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» Cessaro Gamma II and Ome»
» Mysterious Russian Tromb»
» I wonder when Chinese be»
» Greek Anima Loudspeakers
» A new 'chic' foolishness»
» What’s up with these gia»
» In Praise of Infidelity »
» Crossover or non-crossov»
» Wywires – “Custom” desig»
» The “Wet and Fuzzy” cabl»
» Always check power-line »
» Ultimate MF compression »
» Planning my DSET
» The High Resolution PCM »
» Michelin horns
» Zander's new Masterclass
» A Very Nice "Eroica»
» What TRULY high-audio p»
» Micro Seiki RX-5000 Reco»
» About audio sales and h»
» The “sounds” that I am l»
» The audiophile’s stupid »
» Aries Cerat Contendo - t»
» High Definition Tape Tra»
» Micro Seiki, tonearm,car»
» Charles Schlueter’s inte»
» Panel with Peter Qvortru»
» Impressions from High En»
» Inside views of "me»
» Schimmel's Voxativ Ampeg»
» The Museatex Bidat pages.
» Rachmaninoff Piano Conc»
» I am not a Nostradamus, »
» What is wrong with the A»
» High-End Audio Bass: wha»
» Audio and Politic: a sol»
» The New York Philharmoni»
» Mendelssohn, Cello Sonat»
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IMSLP Music Library
The Bruckner Discography
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Art Songs and Librettos
Jim Moskowitz's Unknown »
Lied and Art Songs
Phono EQ
Classical Recordings New»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Hillock TV-2 tube tester
Altec 808A compression »
Vitavox AK-15/40 15" ba»
CEC TL-0 MK2 transport
Fane Studio 8 dual conc»
Vitavox S2/S3 diaphragms
Musatex-TP Bidat 20-Bi»
Musatex’s Bidat Model "»
Altec 515B bass drivers
REL Precedent 646C tuner
Vitavox 330Hz Horn for »
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