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» Playback and chamber mus»
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» Use absolute polarity as»
» Reflections pattern in C»
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» Why horn-loaded loudspea»
» Do not reproduce extreme»
» Marantz MA-9S2 Monoblock»
» Smyth Research Realiser »
» Volti Audio's Vittora
» Thinking about Bruckner »
» Need A audio connector &»
» Günter Wand Intervi»
» Wanted Vitavox S2 Origin»
» Idler Drive - Rumbling I»
» Grid bias power supplies
» The WHRB’s Rimsky-Korsak»
» Rebel++ first blood, Amp»
» Sometimes surface noise »
» The pianist Yuja Wang … »
» About DSET-driven multi-»
» Justification of Buying »
» Inside views of "me»
» "O Vitavox, Vitavox»
» The silence after coda
» Other Ways of getting Sp»
» SME M2-12 tonearm
» Education vs Magic
» Tomorrow in Boston: Yout»
» If I start High-End Audi»
» Berlin Philharmonic Dire»
» High End Munich 2014 imp»
» The Real Total Horn
» Vitavox’s S2 Survival Gu»
» The best musical event o»
» Lower cost horn loaded a»
Bookmarked are red
Graeme's Speaker DIY Pag»
Dr. Bruce Edgar Interview
Hub Arts
Bruce Edgar's Edgarhorn »
Value of Records Tool
Subito-Cantabile
Irvington Music
IMSLP Music Library
Vincent Brient's Sit
Berkshire Record Outlet
Clemens Krauss Archive
Retro hi-fi blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Vitavox S2/S3 diaphragms
Micro-Seiki Arm Board
Ortofon Mono CG 25 Di c»
CEC TL-0 MK2 transport
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
Vitavox 330Hz Horn for »
SME M2 - 12" Tonearm wi»
ESS AMT-1A Heil Air Mot»
Musatex’s Bidat Model "»
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