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» Every crowd has a silver»
» An ultimate transformer »
» “Zarathustra” amplifier:»
» Vitavox and Goodmans Bas»
» Instrumental music vs. o»
» Rebel++ first blood, Amp»
» Make your own horns?
» Rachmaninoff’s Symphony »
» A great production of th»
» A “pocket version” of Br»
» Problems with horns: mid»
» My current conductor obs»
» Wheel-Fi
» The Dog eat my CDs.
» A tribune to Transient E»
» Listening rooms and comp»
» X-mas list
» Paganini's Daemon : A Mo»
» Tweeters for Altec 420y »
» Do not reproduce extreme»
» Electrostatic tweeter fo»
» Performance of a week.
» Dvorak Piano Quintet
» Hickok Tube Testers: Qui»
» Naked Sound and Whether.
» Alicia De Larrocha, Bach»
» Submerging deeper into A»
» The BSO and Digital Musi»
» How Well Shall a CD Tran»
» SCAM! Horn - Academy Phi»
» Educate yourself WHY you»
» The Herbert von Karajan’»
» Open Baffle Speaker Desi»
» Credibility of digital i»
» Micro Seiki MAX 282 Ques»
» The DHOFT topology? Do n»
» Omni-directional 'horny'»
» Kevin Puts, American Com»
Bookmarked are red
Glenn Gould Audio Archiv»
Decca Classical discogra»
Marston Records
Max Robinson’s “Fun With»
Phono EQ
Louis Speichler's Records
Vintage EV speakers
Classical Collections
Doremi CD label
Music & Arts
The Victor Victrola Page
Jong Woo's Site
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki MAX-282 To»
Micro Seiki RX-5000
REL Precedent 646C tuner
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Musatex-TP Bidat 20-Bi»
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
Rohde & Schwarz MSDC Mu»
Koetsu Onyx Platinum Ca»
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