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» Targeted Audio Listening»
» The road to less dummine»
» The “Inverted High End A»
» Small SET’s bass, beside»
» Single Ended Triode dist»
» Tractrix Bass horn vs Sp»
» How to make a playback t»
» Tree motors from one sid»
» 5-ways from Speedysteve7
» Memory Player Box?
» The Shelter 90X: mystery»
» 47 Lab Digital
» Passive line level cross»
» Conchita Supervia
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» Looking for something di»
» Help to identify the LF »
» About the Critical Audio»
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» Liszt Piano Sonata &»
» A CD player of today… 20»
» Why second tonearm/cartr»
» Yep, Bach would do it….
» Van Cliburn Moscow 1958
» About rationalism of twi»
» My subject of envy to au»
» The Full (fuller) Range »
» We who are about to die.»
» 45Hz Bass Horn
» A big subwoofer vs. an a»
» Do not “compare” audio e»
» A Plasma Tweeter made in»
» 3012, 312, M2-12 or ... ?
» 250 watts Parallel S.E. »
» BiDat: One more output
» A stunning Beethoven’s “»
» Bruckner and women
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ClassicalNet
Holger Klein's Soundpage»
Loudspeaker Designer's G»
Austria's Musical Exiles
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Input Choke & Resonant C»
Greg Sando’s Site
Random Classics
Ron Penndor's Recollecti»
The Thiele-Small Loudspe»
MusicStack
Martha Argerich Site
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