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End of Life Phonostage
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» The high-end audio, as i»
» Omni-directional 'horny'»
» About dymick sparkling.
» Avantgarde Trio, Roy Gre»
» Impulse response, short »
» THE Show, Irvine 2018
» Rhapsody for Tape Record»
» My Analog Playback: the »
» What a trip 30 years bac»
» Playback evaluations mad»
» A slightly crazy idea fo»
» Boston and Bruckner
» How to make a playback t»
» (monitor vs hifi speaker»
» Dynamic range in histori»
» The Herbert von Karajan’»
» Analog is Back 2011: Wav»
» The most appalling audio»
» There is no need to say »
» Electrostatic tweeter fo»
» About Audio and Cooking »
» A minor Audio depression»
» The tools to listening s»
» Chesky's violin concerto
» Fun with transformers?
» Janine Jansen
» Radio Netherlands’ Live!»
» Simpson Microphones thre»
» “Zarathustra” amplifier:»
» The dynamic range of our»
» True High-End Audio: Ant»
» What a week in Boston!
» I wonder if this crap is»
» 834p modding..."hum»
» High-End Audio and ... p»
» Long time due: Digital P»
» Coral x-viii
» Classical Music for the »
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Classical Music Network
The Soul of Sound
The Bruckner Discography
WGBH alumni
Phil Mundi Audio Pro Med»
Koussevitzky & BSO
Heart's Ease
Alexander Karpov’s “Next»
Glenn Gould Audio Archiv»
Classical Recordings New»
The Cartridge Database
Olson Acoustical Book
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
CEC TL-0 MK2 transport
Korvet “Egg” Tonearm
Stage Acompany SA8535 d»
Altec 515B bass drivers
Mid-range tantrix round»
Musatex-TP Bidat 20-Bi»
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Conscience of audio rev»
Koetsu Onyx Platinum Ca»
Sansui TU-X1 Tuner
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