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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The "mystery&am»
» 8" Goto Woofer for »
» Seven hours of live musi»
» New here
» Remastering (and re-loca»
» How idiots destroy sound.
» High End Audio and music»
» An evening to remember -»
» About speakers Imbedded »
» Woofers cone repair – a »
» The RCA’s 6C33C sockets?
» New Motor for an Old Sot»
» Better chassis design fo»
» Yo-yo Ma live on the int»
» The Truly High-End Ampli»
» “Why horns”, years later.
» How do you position your»
» Melquiades: too early fo»
» What you do when you cat»
» Vitavox S2 coupling
» Ravel's Piano Trio; Rubi»
» Hickok Tube Testers: Qui»
» SET and speakers: disreg»
» An air compressor and TT.
» Audio industry metaphor
» How to evaluate playback»
» Course & guide on ho»
» A tale of two DACs
» Bach's performing space.
» The ways to delay horns »
» Jean Hiraga’s cooking of»
» Macondo 3.0
» Outdoor horns
» 5 Channel Version of Mel»
» Micro RX 5000
» Replacing 802 G and 811 »
» Cellist Daniel Müll»
» The mono cartridges para»
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Subito-Cantabile
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Irvington Music
Female Composers Site
DaVinciAudio Labs
The Music Parlour.
Hughs Ominous Tubes
Composers Forum
Great Plains Audio
Instant Encore
Rottenburger Museen
Truesound Transfers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki Arm Board
Altec 515B bass drivers
Lamm Industries M1.1 Mo»
Rohde & Schwarz EU-6201»
Micro Seiki RX-5000
Electro-Voice T350 twee»
Lamm ML-2 Single-Ended »
Vitavox S2/S3 diaphragms
Altec 808A compression »
Hillock TV-2 tube tester
ESS AMT-1A Heil Air Mot»
More Leftovers »»