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» The remarkable moments i»
» Sound of Ehernet cables?
» Brian Cheney of VMPS
» Bruckner Sinfonie Nr.8, »
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» My playback can’t play l»
» Another "Top five t»
» Planning my DSET
» Maria Callas’s Glory Day»
» Dvorak Piano Quintet
» New superlative horn bui»
» The 3rd music revolution»
» Winter storm & Casals
» In defense of Mikhail Pl»
» Object-oriented audio re»
» Better DAW by a “second”»
» Bruckner Ninth and the W»
» We do not have an audio »
» 250 watts Parallel S.E. »
» BPO's virtual concert ha»
» Beware of PurePower Part»
» How to give bats a heada»
» The BEST bass cable?
» About bass horns by Joha»
» How do you position your»
» Trash your “full-rage”, »
» Cerebral and psychologic»
» Wilson Audio Setup Proce»
» Audio Enigma Variation
» The new FM Classical sce»
» Aries Cerat Contendo - t»
» Sound of line level filt»
» Anyone experimented with»
» To Milq builders: correc»
» Stands for Super Melquia»
» MartinLogan Montis Speak»
» Use absolute polarity as»
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GS Tube
Avie Records
Wood Horn Speakers
Michelangeli Site
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Pjay's Speaker building »
Eugene Ormandy Pages
Jammin' Jersey
Vintage EV speakers
Professional Audio Calcu»
Club Abbadiani Itineranti
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Hunt, Jerry (30 November 1»
SME M2 - 12" Tonearm wi»
Vitavox AK-15/40 15" ba»
Pacific Microsonics Mod»
Mid-range tantrix round»
Sansui TU-X1 Tuner
Electro-Voice T350 twee»
Conscience of audio rev»
Micro-Seiki Arm Board
“Tree Blind Mice” colle»
Stage Acompany SA8535 d»
Rohde & Schwarz MSDC Mu»
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