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» Making it sing...
» Greeting every one
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» Gas voltage reference 0A»
» Speaker Building
» The Jeff Day’s Westminst»
» Bruckner 3rd
» Playback evaluations mad»
» Audio Sonar Acoustic Lev»
» Macondo's Axioms: Horn-l»
» French Horns/drivers sho»
» CES – constant but fortu»
» Tannoy Red 1960s: some s»
» A Scratched Horn.
» “How audio might sound”
» Forward in the past with»
» Who the hell is this int»
» The industry’s high qual»
» RCA’s Sound And The Story
» R22
» Looking for the most vin»
» Macondo and ALE drivers,»
» Shall quality-price be r»
» Ultimate MF compression »
» USB microscope for setti»
» Andrew's new 4-way horn »
» Some kind of Grundig…
» Milq: Starting the proje»
» A true nature of audioph»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Purist Audio Design Pro»
Ortofon Mono CG 25 Di c»
Micro Seiki RX-5000
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Korvet “Egg” Tonearm
“Tree Blind Mice” colle»
Tribute Output Amorphou»
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Rohde & Schwarz EU-6201»
Sansui TU-X1 Tuner
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