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End of Life Phonostage
Audio Demoronizator AD-1
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» Why I do not like the &q»
» Help with RF loop
» The essence of High-End »
» High-End Audio and ... c»
» “They either adore me or»
» Elgar conducts Elgar.
» Bruckner, me and the Sev»
» Simpson Microphones thre»
» Advanced-Transition Horn»
» Digital crossovers self-»
» The new “little things” »
» Bach and Rain
» Metaxas-Wolfson ADC with»
» A Strange Thread (skip b»
» How idiots destroy sound.
» It was seventy years ago»
» The Melquiades bass chan»
» The Evolution (or Anti-E»
» An interesting read abou»
» Lamm ML2.0 & Lamhorn»
» Electronluv systems ques»
» Tonearms criterias??
» Basic guide to advanced »
» The industry’s high qual»
» EMIA Phonostage.
» Rod Poole 1962-2007
» Six years of continuing(»
» Multicellular horns
» The Full (fuller) Range »
» Shostakovich’s 100th bir»
» The Avicenna's failure i»
» Horn Speaker Leftovers f»
» My favorite video clips
» His Master Voice’s Shade»
» Plaishner 3-way speaker.
» Fire and Music
» The New York Philharmoni»
» Tubas and Mc-step
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
How many Bits needed for FM, the Accuphase T1000 dilemma. 6281 
What Makes For Good FM? 6281 
Some comments. 6281 
Real world 24 bit recording 6280 
The Bits numbers are fake in a way. 6280 
Some other excellent thought on the subject. 6280 
The Spider in the Bromeliad 6280 
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