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» A multi-tier audio contr»
» Prokofiev's cantata
» The Home Theater thought»
» More power from Melquiad»
» Beware of the monophonic»
» How the things are getti»
» DRU Tube for Melq’s HF c»
» Macondo 2.0?
» Looking for something di»
» Submerging deeper into A»
» Problems with horns: twe»
» More about the EdgarHorn»
» What TRULY high-audio p»
» Ravel Piano Concerto No2
» Micro Seiki, tonearm,car»
» The "new" Shos»
» Boston and Liszt’s Secon»
» Nothing Is Perfect
» Perception of bass?
» Do the Filament Transfor»
» Conchita Supervia
» Why I do not love Mahler?
» Aimez-vous Bartók?
» Miniumum sample rate for»
» Yamamura's 6 ways
» Building a new music room
» A fundamentally faulty J»
» I hate, hate, hate, hate»
» Monophonic bass: myth an»
» The decentralization and»
» About cost of electromag»
» Mini A7
» The open project: a late»
» The audiophile’s stupid »
» Puccini: Tosca
» HELP on a Custom 3 Way H»
» New Lynx A/D and D/A pro»
» MDTunes™ from SoundLab l»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Sound and How We Hear It 6317 
What is the Sound? 6317 
The sounds and my stereo 6317 
"Neutral" versus "Bland" 6317 
An audio Dic 6316 
Music's ingredients 6316 
Something for Nothing 6316 
Distortion and neutrality 6316 
Synesthesia and audio? 6316 
Good and bad tone? 6316 
The additive and subtractive listening 6315 
Additive error and Seven levels of Listening 6315 
The propagation of listening attention across the levels... 6315 
Copernicus, Ptolemy, and Listening 6315 
Romy's Unvollendete... 6315 
The point: variations in listeners 6315 
Just another brick in the wall 6315 
Effects can be mutually exclusive 6315 
Random access memory 6314 
7 Level 6158 
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