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» The need for a balanced »
» To buy an SACD Player?
» The “Primary Frequencies»
» George Orwell and loudsp»
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» The path of simplificati»
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» Melquiades: too early fo»
» Buzz/Kill, and The Most »
» Worcester Music 2009-201»
» Mahler VI - Barbirolli w»
» Amplification and Consci»
» Brahms, "Liebeslied»
» Burn any single-driver s»
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» Horns and digital crosso»
» Easy Bruckner for Beginn»
» More or less pleasure: w»
» Antenna solutions for FM
» A ridicules speaker cable
» Long Range Acoustic Devi»
» Tweeters for Altec 420y »
» Romy stalked me on the f»
» Beethoven PC 5 Surprise »
» 4-way horn system Prelude
» The Dark Hope of Renee F»
» Making of a Steinway.
» About EAR 834P Modificat»
» Adding one more non-sphe»
» The Rafael Kubelík'»
» The Studio AU projects.
» Splitting XLR into Multi»
» Truth stretched out via »
» LPs & CDs Storage.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Sound and How We Hear It 6316 
What is the Sound? 6316 
The sounds and my stereo 6316 
"Neutral" versus "Bland" 6316 
An audio Dic 6315 
Music's ingredients 6315 
Something for Nothing 6315 
Distortion and neutrality 6315 
Synesthesia and audio? 6315 
Good and bad tone? 6315 
The additive and subtractive listening 6314 
Additive error and Seven levels of Listening 6314 
The propagation of listening attention across the levels... 6314 
Copernicus, Ptolemy, and Listening 6314 
Romy's Unvollendete... 6314 
The point: variations in listeners 6314 
Just another brick in the wall 6314 
Effects can be mutually exclusive 6314 
Random access memory 6313 
7 Level 6157 
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