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Random Site's Threads
» Hiroyasu Kondo: “My thou»
» Audio system: my path to»
» The centuries old strugg»
» Horn length/expansion/gr»
» How much does it cost to»
» The tools to listening s»
» Why I hate HornResp.
» Are Any Powerful Amps Wo»
» The "Nubianco"»
» TX-103s...
» The Saudi Arabia and Uni»
» JBL Project Array
» Sound Quality and “Elect»
» Single-stage Melquiades »
» 6 Channel Version of Sup»
» The Avicenna's failure i»
» Some analysis of the Joe»
» RIP, Joan Sutherland, &q»
» The Eduardo Chibas and B»
» A turntable platter as a»
» I am not a Nostradamus, »
» SME M2
» This new midbass horn di»
» Ah Mravinsky !
» Many Mani's options: My »
» How to switch moving coi»
» Some horn writing by Tho»
» A phenomenal find: Garvi»
» Tidal’s Music Streaming »
» Don't position speakers »
» My Analog Playback: the »
» Bruckner 9, Transcriptio»
» Long time due: Digital P»
» Micro Seiki MAX 282 User»
» Too damn loud?
» Magico new 5 ways idea. »
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» Solid State Bass – the m»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Sound and How We Hear It 6239 
What is the Sound? 6239 
The sounds and my stereo 6239 
"Neutral" versus "Bland" 6239 
An audio Dic 6238 
Music's ingredients 6238 
Something for Nothing 6238 
Distortion and neutrality 6238 
Synesthesia and audio? 6238 
Good and bad tone? 6238 
The additive and subtractive listening 6237 
Additive error and Seven levels of Listening 6237 
The propagation of listening attention across the levels... 6237 
Copernicus, Ptolemy, and Listening 6237 
Romy's Unvollendete... 6237 
The point: variations in listeners 6237 
Just another brick in the wall 6237 
Effects can be mutually exclusive 6237 
Random access memory 6236 
7 Level 6080 
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Classical events in Boston
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