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» Beethoven PVC Trio, Opus»
» Horns and digital crosso»
» How Piazzolla should sou»
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» Mozart: "Cosi Fun T»
» Schimmel's Voxativ Ampeg»
» Mahler 3 and BPO.
» Say “no” to the light to»
» Mini A7
» Bach and Rain
» Mystery Horn ? ? ? anyon»
» The Trout - Perlman, Ba»
» JBL 2446
» Melquiades: too early fo»
» RCA driver made in China
» Volti Audio's Vittora
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» Suggested target curves »
» Monitors: Wishful thinki»
» Vitavox 12 cell Horns + »
» Simpson Microphones thre»
» Lamm ML2.2 and Mark the »
» Shostakovich‘s "Suite on»
» The sound compromises of»
» Push pull compound compr»
» My new “New” listening r»
» Wilsons, EMM, Ozawa, Sa»
» Nikolaj Znaider's play a»
» Kloss 5-way horns setup.
» Some kinky goodies from »
» Educate yourself WHY you»
» More 6E5P-6C33C amps.
» I built this device
» Avid Listener --- Stereo»
» Adding one more non-sphe»
» My feelings about new ex»
» A weekend of treats by B»
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Sound and How We Hear It 6333 
What is the Sound? 6333 
The sounds and my stereo 6333 
"Neutral" versus "Bland" 6333 
An audio Dic 6332 
Music's ingredients 6332 
Something for Nothing 6332 
Distortion and neutrality 6332 
Synesthesia and audio? 6332 
Good and bad tone? 6332 
The additive and subtractive listening 6331 
Additive error and Seven levels of Listening 6331 
The propagation of listening attention across the levels... 6331 
Copernicus, Ptolemy, and Listening 6331 
Romy's Unvollendete... 6331 
The point: variations in listeners 6331 
Just another brick in the wall 6331 
Effects can be mutually exclusive 6331 
Random access memory 6330 
7 Level 6174 
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