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Random Site's Threads
» Polish Chamber Choir - S»
» Melequiades PSU
» Dreams about Audio
» Summer Refreshment; the »
» Fake Vitavox S2 diaphrag»
» Bill Gaw: over 50 years »
» How to build the best au»
» Charles Schlueter’s inte»
» What I am doing?
» MacondoLite
» A request to all members»
» Sibelius VC; Furtwangler»
» Input choke for Low Curr»
» Playback and chamber mus»
» Altec A2
» Gershwin's Rhapsody in B»
» Wagner and loudness.
» VMPS RM V60 – kill me, b»
» BiDat: One more output
» Reel Machines :-O
» Violin Concertos
» Denouncing of idea of Ba»
» Impossibility of commerc»
» The Full (fuller) Range »
» Good commercial speakers
» New, Transparent Speaker»
» De-stress not decompress»
» About the DAW playback s»
» William Kapell legacy an»
» The "mystery&am»
» Micro Seiki RX-5000 Reco»
» Ah, Michelangeli...
» Sandisk Sansa Clip +
» Audio Quality Matters in»
» Bad orchestras shell not»
» Small spaces
» Herbie's Hal-O Tube Damp»
» The WHRB’s Rimsky-Korsak»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Sound and How We Hear It 6309 
What is the Sound? 6309 
The sounds and my stereo 6309 
"Neutral" versus "Bland" 6309 
An audio Dic 6308 
Music's ingredients 6308 
Something for Nothing 6308 
Distortion and neutrality 6308 
Synesthesia and audio? 6308 
Good and bad tone? 6308 
The additive and subtractive listening 6307 
Additive error and Seven levels of Listening 6307 
The propagation of listening attention across the levels... 6307 
Copernicus, Ptolemy, and Listening 6307 
Romy's Unvollendete... 6307 
The point: variations in listeners 6307 
Just another brick in the wall 6307 
Effects can be mutually exclusive 6307 
Random access memory 6306 
7 Level 6150 
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LF Transformer for 6C33C
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Altec 515B bass drivers
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