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» Story of my discovery - »
» Tomorrow in Boston: Yout»
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» Suggestion on my introdu»
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» An amplifier for Tweeters
» How Mussorgsky should so»
» A new kid in the block: »
» The great Corus performa»
» Naked Sound and Whether.
» Some kind of Grundig…
» The best album of 2005 s»
» The List: Let age public»
» The WHRB’s Orgies period.
» Nothing to read.
» Shostakovich’s 100th bir»
» Mahler: Symphony No. 2 i»
» The LavryBlack DA11 Ster»
» Reflections pattern in C»
» How to play Mahler 7 at »
» Soprano Sally Matthews.
» Boston and Bruckner
» Sarah Chang last night a»
» Got new mid/high horns. »
» The Hannes Kastner’ Tocc»
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» After-concert download –»
» Hans Vonk Legacy
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» Oliver Sacks' "Musi»
» Problems with horns: mid»
» The high-end audio, as i»
» Earl Geddes: I can't her»
» LF Amplifier in biamping.
» Focal-Jmlab – the Utopia»
» Constant directivity = c»
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Bookmarked are red
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Sound and How We Hear It 6153 
What is the Sound? 6153 
The sounds and my stereo 6153 
"Neutral" versus "Bland" 6153 
An audio Dic 6152 
Music's ingredients 6152 
Something for Nothing 6152 
Distortion and neutrality 6152 
Synesthesia and audio? 6152 
Good and bad tone? 6152 
The additive and subtractive listening 6151 
Additive error and Seven levels of Listening 6151 
The propagation of listening attention across the levels... 6151 
Copernicus, Ptolemy, and Listening 6151 
Romy's Unvollendete... 6151 
The point: variations in listeners 6151 
Just another brick in the wall 6151 
Effects can be mutually exclusive 6151 
Random access memory 6150 
7 Level 5994 
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