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» Natalia Gutman (!) in Bo»
» Tchaikovsky: Symphony No»
» The ferrofluiding of com»
» Bach's performing space.
» Mozart: "Cosi Fun T»
» A true nature of audioph»
» High End Munich 2014 imp»
» K2HD -yet, another CD fo»
» Another Boston Radio Sta»
» Orchestra of 32 Loudspea»
» Looking for different So»
» Order your own music….
» Coconut
» A phenomenal find: Garvi»
» Scientific vs. audio act»
» The K&K SE hybrid ph»
» The "NEW T.H.E Show»
» Think how a playback com»
» A right midbass solution»
» Clean and polish gunmeta»
» Education vs Magic
» The best audio source EV»
» “Get Better Sound” by Ji»
» Middle step (non ultimat»
» Universal VTA adjustment.
» DSET phoned home?
» CDs: good tendencies.
» What lives in Symmetric »
» Compression drivers saga
» Make Your Own Horns
» Playback and operation o»
» An interesting TT link: »
» Yamaha tuners
» Buying cds and records i»
» About the tweeters phase»
» Closer to the musicians »
» Lamm ML2.2 and Mark the »
» Gershwin's Rhapsody in B»
Bookmarked are red
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Sound and How We Hear It 6268 
What is the Sound? 6268 
The sounds and my stereo 6268 
"Neutral" versus "Bland" 6268 
An audio Dic 6267 
Music's ingredients 6267 
Something for Nothing 6267 
Distortion and neutrality 6267 
Synesthesia and audio? 6267 
Good and bad tone? 6267 
The additive and subtractive listening 6266 
Additive error and Seven levels of Listening 6266 
The propagation of listening attention across the levels... 6266 
Copernicus, Ptolemy, and Listening 6266 
Romy's Unvollendete... 6266 
The point: variations in listeners 6266 
Just another brick in the wall 6266 
Effects can be mutually exclusive 6266 
Random access memory 6265 
7 Level 6109 
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