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Random Site's Threads
» Puccini: Tosca
» About my listening habit»
» New, Transparent Speaker»
» Lamm Industries: a speci»
» My first audio show. Hmm»
» Romy, how does the origi»
» Micro Seiki Armboards: I»
» How do you position your»
» Esther Kim. What did you»
» Synergy Horn
» “Why horns”, years later.
» About bass horns by Joha»
» The stunning “The Magic »
» Benjamin Britten’s Violi»
» Two-stages, hybrid, smal»
» Sub-woofer integration w»
» Kenwood L-02T and the hy»
» The many sounds of a City
» Macondo Horns: biography.
» My current conductor obs»
» Ghorbani&Hamdani sin»
» Johannes Brahms - Sympho»
» From GoodSoundClub, with»
» The Yevgeny Mravinsky Fi»
» It was seventy years ago»
» VTL TL-7.5 Reference: Hi»
» New bottlehead dac
» Janine Jansen
» Minusk: a new Vibraplan?
» TOA monster sized compre»
» Solid state revisited
» A datacenter at home and»
» I am not a Nostradamus, »
» 2011 Brucknerathon
» Riccardo Muti and Chicag»
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» Tape Machines
» The WHRB’s Rimsky-Korsak»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Sound and How We Hear It 6273 
What is the Sound? 6273 
The sounds and my stereo 6273 
"Neutral" versus "Bland" 6273 
An audio Dic 6272 
Music's ingredients 6272 
Something for Nothing 6272 
Distortion and neutrality 6272 
Synesthesia and audio? 6272 
Good and bad tone? 6272 
The additive and subtractive listening 6271 
Additive error and Seven levels of Listening 6271 
The propagation of listening attention across the levels... 6271 
Copernicus, Ptolemy, and Listening 6271 
Romy's Unvollendete... 6271 
The point: variations in listeners 6271 
Just another brick in the wall 6271 
Effects can be mutually exclusive 6271 
Random access memory 6270 
7 Level 6114 
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