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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» John Luther Adams's Beco»
» The great Corus performa»
» The single-ended pretens»
» Should I low pass the mi»
» Lutoslawski Concerto for»
» The elusive “absolute to»
» Vitavox corner horn
» Looking at the pictures »
» MET Broadcast, season 20»
» How to paint Multicell h»
» About TTH characteristic»
» Sonic consequences of re»
» Making it sing...
» 6C41C – the journey to n»
» Are Any Powerful Amps Wo»
» Transition : Driver to t»
» Russian Orthodox liturgy»
» New audiophile download »
» Deficiency of sensible a»
» An interesting comment, »
» Analog FM on a PCI cards?
» Horns with contra-profil»
» The LCR RIAA correctors
» The Berlin Philharmonic »
» 250 watts Parallel S.E. »
» Bookshelf Horns
» From bad Opera to good O»
» Not all audio equipment »
» SET and speakers: disreg»
» Van den Hul 's Grail
» Reel Machines :-O
» Building On "Accide»
» The concrete midbass hor»
» Shelter 901 on SME 309 t»
» June in Boston with Earl»
» Terminal Velocity? Smart»
» Got new mid/high horns. »
» I am not a Nostradamus, »
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MetManiac Opera Archive
Classical Recordings New»
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Rradiomuseum
Tchaikovsky's Compositio»
Loudspeaker Designer's G»
Boston Philharmonic Orch»
Joachim Raff Society
Eugene Ormandy Pages
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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The Art of Pablo Casals, RCA Victor LM-2699, 1964 6752 
The Casals is the Casals 6751 
I would give plenty to hear it 6751 
Casals on 78s 6749 
Note to Paul S 6749 
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