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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» HELP: I’m a line-level l»
» About destiny of “High-E»
» Better DAW by a “second”»
» 2010 Classical Grammy No»
» Lower cost horn loaded a»
» My today’s views on LP c»
» Is better than Kinetic S»
» Think how a playback com»
» I do not even know where»
» Direct radiation in the »
» Tritium Turntables
» About audio sales and h»
» BPO's virtual concert ha»
» Audio-tekne's "Tone»
» ACR Fabulous-Series PA-1»
» A question to DIY musico»
» Practicality of paper ma»
» Happy New Year
» Avid Listener --- Stereo»
» An interesting Russian p»
» Antenna attenuator – you»
» Impressions from High En»
» The idiotism of Audio Sy»
» Yarlung Records at 24 bi»
» (Hopefully short) headph»
» Class “D” – the industry»
» Listening playback with »
» I would like to believe »
» Nicolai Golovanov
» The European Triode Fest»
» DAW drives configuration»
» High-End Audio amplifier»
» Melquiades For Dummies™ »
» The Multicells HF Horns.
» The mystery of AmpX
» Weinberg String Quartet »
» Tanglewood Music Center »
» The single-ended pretens»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1903 
You will never know until you try! 1901 
Rowuk is right,,,, 1901 
Some boring design philosophy. 1900 
140 vs 110 hz horns 1896 
140 vs 110 Hz horns 1879 
140 vs 110 hz horns 1860 
John Inlow has the answer to your question 1860 
Stay away 1860 
"advice" 1859 
What is so hard? 1858 
Sometimes SPL is just SPL ... 1858 
But size does matter 1857 
DSP? 1857 
We have to separate the "path to" and "arriving" 1857 
Depends.... 1856 
MF trick 1856 
A "Key" Insight 1856 
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