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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A quests for an ultimate»
» Attempt of a playback sy»
» Interesting use of Lunda»
» The best 20 hz bass horn
» Speaker Building
» Battling stupid Horn Cri»
» RAAL “Water Drop” tweete»
» A new generation of full»
» NAT Audio Magna -160 Wat»
» About audio sales and h»
» Small spaces
» Miniumum sample rate for»
» Oistrakh(s) on Monitor M»
» The new G.I.P speakers.
» French Horns/drivers sho»
» My playback: what is nex»
» The most appalling audio»
» The 5-ways from Germany.
» A contemporary AD1 Triod»
» Contributing factors in »
» Alfred Schnittke’s Gogol»
» Vitavox S2 with Electrom»
» DIY multicellular horn
» HD Radio? Good, bad or u»
» The “Inverted High End A»
» Copland/BSO/Copland
» Those Video broadcasts f»
» Schroder Tonearms
» Terminal Velocity? Smart»
» 5 Channel Version of Mel»
» Preamp/linestage recomme»
» Jonathan Valin smokes La»
» Cable Current Loading
» The Melquiades' "Re»
» Eat your heart out, Mr. »
» Tschaikowsky, [Violin] C»
» NASA Reverberant Acousti»
» The sound of Concert Hal»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1898 
You will never know until you try! 1896 
Rowuk is right,,,, 1896 
Some boring design philosophy. 1895 
140 vs 110 hz horns 1891 
140 vs 110 Hz horns 1874 
140 vs 110 hz horns 1855 
John Inlow has the answer to your question 1855 
Stay away 1855 
"advice" 1854 
What is so hard? 1853 
Sometimes SPL is just SPL ... 1853 
But size does matter 1852 
DSP? 1852 
We have to separate the "path to" and "arriving" 1852 
Depends.... 1851 
MF trick 1851 
A "Key" Insight 1851 
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