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» Remote control - the ult»
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» The mystery of reversed »
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» VITAVOX - Current Lineup»
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» Musique Concrete horns
» Sonic consequences of re»
» Constant directivity = c»
» It is about timbres, stu»
» 6 Channel Version of Sup»
» How to make musicians to»
» Idler Drive - Rumbling I»
» Online Music Store in Eu»
» The irony of playback ph»
» The short "6C33C Su»
» Dc10audio.
» The Deutsches Requiem of»
» Perception - Time Consta»
» Tosca, Aida, Madama Butt»
» The evil of low sensitiv»
» THE Show, Irvine 2018
» Aporia - Silbatone Acous»
» Bruckner 8, WDR and Manf»
» The one-stage Melquiades.
» Better solution for bein»
» Sibelius VC; Furtwangler»
» A passive but elegant pr»
» Incorporating active cro»
» "Not So Sweet Spot&»
» New source for old tuners
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1874 
You will never know until you try! 1872 
Rowuk is right,,,, 1872 
Some boring design philosophy. 1871 
140 vs 110 hz horns 1867 
140 vs 110 Hz horns 1850 
140 vs 110 hz horns 1831 
John Inlow has the answer to your question 1831 
Stay away 1831 
"advice" 1830 
What is so hard? 1829 
Sometimes SPL is just SPL ... 1829 
But size does matter 1828 
DSP? 1828 
We have to separate the "path to" and "arriving" 1828 
Depends.... 1827 
MF trick 1827 
A "Key" Insight 1827 
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Altec 515B bass drivers
CEC TL-0 MK2 transport
Micro-Seiki Arm Board
Micro Seiki RX-5000
Korvet “Egg” Tonearm
LF Transformer for 6C33C
Kenwood L-02T FM Tuner
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