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» Bruckner, me and the Sev»
» The Nimbus' Prima Voce b»
» Klipsch Jubilee horn
» Kristian Zimerman BBC in»
» Solid state revisited
» Analog: a reduction of s»
» Computer Audio - like ev»
» Remedies the Beauty
» My reading for a “smalle»
» Bruckner 8, WDR and Manf»
» A sad day in Greece.
» Interested in reading mo»
» Observations and Thought»
» When the stars aligned.
» PCM63 DAC with Transform»
» Bravo, Stereophile: Adve»
» Speaker hunting
» The 'nature' of said rea»
» German Odeon horns.
» Vertical Axis Midbass Ho»
» Fidelity Research FR-7
» A “pocket version” of Br»
» The "Lopsided"»
» PS Audio's digital appro»
» I'm omnivorous... am I i»
» New Beethoven cycle/Anim»
» Puccini: Tosca
» Beware of the "dipo»
» Records Box Stuffing
» My Analog Playback: the »
» The Truly High-End Ampli»
» Shelter 901iii or 90c ca»
» The commercial music ser»
» How to switch moving coi»
» Watching conductors of t»
» Wiener Philharmoniker r»
» What drives good sound?
» The tools to listening s»
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Duntech Audio loudspeake»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1690 
You will never know until you try! 1688 
Rowuk is right,,,, 1688 
Some boring design philosophy. 1687 
140 vs 110 hz horns 1683 
140 vs 110 Hz horns 1666 
140 vs 110 hz horns 1647 
John Inlow has the answer to your question 1647 
Stay away 1647 
"advice" 1646 
What is so hard? 1645 
Sometimes SPL is just SPL ... 1645 
But size does matter 1644 
DSP? 1644 
We have to separate the "path to" and "arriving" 1644 
Depends.... 1643 
MF trick 1643 
A "Key" Insight 1643 
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