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» Big room vs small room
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» The “Implied Sound” in A»
» Wide dispersion horns
» It is time for you to de»
» Hideous American operas.
» How audio started….
» Rhapsody for Tape Record»
» Monophonic bass: myth an»
» The remarkable moments i»
» Conchita Supervia
» The path of simplificati»
» Beware of PurePower Part»
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» A quests for an ultimate»
» A new film about Karajan
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» How does it sound?
» Constructing LF modules »
» DIY Firefly Horns
» How to test 6C33C?
» Floor reflections
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» About audio hoarding
» The BEST bass cable?
» Tractrix Bass horn vs Sp»
» The bogusness of the coa»
» Berlioz Requiem / Pavaro»
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» Rubinstein at Carnegie H»
» Audio industry metaphor
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Bookmarked are red
Russian Music in 20th Ce»
Greg Sando’s Site
Hughs Ominous Tubes
Adnan Arduman's site.
ElecroVoice’s Vintage Pr»
Opera Collector Guide
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1879 
You will never know until you try! 1877 
Rowuk is right,,,, 1877 
Some boring design philosophy. 1876 
140 vs 110 hz horns 1872 
140 vs 110 Hz horns 1855 
140 vs 110 hz horns 1836 
John Inlow has the answer to your question 1836 
Stay away 1836 
"advice" 1835 
What is so hard? 1834 
Sometimes SPL is just SPL ... 1834 
But size does matter 1833 
DSP? 1833 
We have to separate the "path to" and "arriving" 1833 
Depends.... 1832 
MF trick 1832 
A "Key" Insight 1832 
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