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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Rubinstein at Carnegie H»
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» How many channels does a»
» FM Acoustics: The most i»
» Some Observations about »
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» Mravinsky/Leningrad from»
» Metaxas-Wolfson ADC with»
» Good small SS amplifier
» Brahms Double Concerto
» How much does it cost to»
» Macondo – Super Melquiad»
» Burn any single-driver s»
» Reel-to-Reel Tape vs. Ra»
» Transition : Driver to t»
» Crossover Design
» Amazon and MP3
» The foolishness of multi»
» Valve Preamplifier for M»
» 2010 Classical Grammy No»
» Lamm L1 vs. L2 preamp
» Here is my new tonearm.
» Harmonies for Bosch’s Ga»
» Grid bias power supplies
» Upperbass horns – tone v»
» 3012, 312, M2-12 or ... ?
» Bach Cello Suites
» Melquiadising other amp?
» I built this device
» Gould's Goldberg Variati»
» Audio treasure find
» Building “Zarathustra II»
» A quest for a better mon»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1877 
You will never know until you try! 1875 
Rowuk is right,,,, 1875 
Some boring design philosophy. 1874 
140 vs 110 hz horns 1870 
140 vs 110 Hz horns 1853 
140 vs 110 hz horns 1834 
John Inlow has the answer to your question 1834 
Stay away 1834 
"advice" 1833 
What is so hard? 1832 
Sometimes SPL is just SPL ... 1832 
But size does matter 1831 
DSP? 1831 
We have to separate the "path to" and "arriving" 1831 
Depends.... 1830 
MF trick 1830 
A "Key" Insight 1830 
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