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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A strange urge.
» Driver Alignment, and Wh»
» Eighteen Sound ND1460A c»
» Placido Domingo... condu»
» Electricity... power str»
» About EAR 834P Modificat»
» Streophile show 2007 and»
» “Why horns”, years later.
» Designing and building a»
» Bad, bad, bad 1812 Overt»
» Prokofiev's cantata
» The Real Total Horn
» Martin-Logan, Myles Asto»
» Macondo – Super Melquiad»
» The ferrofluiding of com»
» Synergy Horn
» Kevin Brooks Acoustic Sy»
» "Not So Sweet Spot&»
» The high-end audio, as i»
» Horns and digital crosso»
» The “Melquíades” d&»
» Macondo: new horizons. A»
» Pham Thanh Cuong's playb»
» A stunning contra-Bruckn»
» My (Amplification + Acou»
» Atkinson vs. Tektronix: »
» Re-set Martha Argerich!
» The stunning “The Magic »
» I have a dream, the drea»
» First Order on Bass chan»
» Bill Gaw: over 50 years »
» The state of High-Effici»
» Steinway and Lyngdorf lo»
» Dima Kereev
» A horny newcomer: Pink F»
» Zebra horns painting?
» Listening to Music with »
» The Occult Timothy Leary»
Bookmarked are red
Musical Instrument Jokes
Furtwängler's conserts
About FM Antennas
JPC CD Store
Conductor’s Corner
ElecroVoice’s Vintage Pr»
BuyWell Australia's Clas»
Turner Audio
Audiofederation's Blog
Electronics encyclopedia
Willem Mengelberg discog»
Lenard's Opals monitor
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1957 
You will never know until you try! 1955 
Rowuk is right,,,, 1955 
Some boring design philosophy. 1954 
140 vs 110 hz horns 1950 
140 vs 110 Hz horns 1933 
140 vs 110 hz horns 1914 
John Inlow has the answer to your question 1914 
Stay away 1914 
"advice" 1913 
What is so hard? 1912 
Sometimes SPL is just SPL ... 1912 
But size does matter 1911 
DSP? 1911 
We have to separate the "path to" and "arriving" 1911 
Depends.... 1910 
MF trick 1910 
A "Key" Insight 1910 
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