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Audio Demoronizator AD-1
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» Klipsch Jubilee horn
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» Abbado + Lucerne Festiva»
» The “new” ways for initi»
» About the tweeters phase»
» Wywires – “Custom” desig»
» Digital Equalization
» Weber’s "Andante e »
» CD Is Dead. CD Is Dead?
» An idea of “Rain Wake-Up»
» A random neutralness
» Interview with Daniel We»
» A response to David Hurv»
» Practical Guide for Back»
» Alessandro Baricco's &qu»
» Macondo vs Dannoy = Esse»
» Choice of Fireware Inter»
» Audio clubs in London, T»
» Nice collection of Artic»
» The 'Beethoven Test' of »
» How to play Mahler 7 at »
» Why second tonearm/cartr»
» New CubeAudio Tractrix H»
» The WHRB Wagner’s Ring C»
» How to evaluate playback»
» Tchaikovsky’s “Pathetiqu»
» Janine Jansen Violin
» $350.000 of audio-script»
» Anyone experimented with»
» Another interesting corr»
» Phono stages with SU-1
» Macondo Horns: biography.
» Philmundi Story about ho»
» Vitavox S2 with Electrom»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1834 
You will never know until you try! 1832 
Rowuk is right,,,, 1832 
Some boring design philosophy. 1831 
140 vs 110 hz horns 1827 
140 vs 110 Hz horns 1810 
140 vs 110 hz horns 1791 
John Inlow has the answer to your question 1791 
Stay away 1791 
"advice" 1790 
What is so hard? 1789 
Sometimes SPL is just SPL ... 1789 
But size does matter 1788 
DSP? 1788 
We have to separate the "path to" and "arriving" 1788 
Depends.... 1787 
MF trick 1787 
A "Key" Insight 1787 
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