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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Bach Cello Suites
» San Francisco in Februar»
» "It" Thread
» So sad that did not see »
» The 68 dipoles imitation»
» Belcea Quartet
» A horrible re-performanc»
» The Eduardo Chibas and B»
» Yamaha ns1000m speaker p»
» Gould's Piano
» The absolutely “best” ma»
» Lavardin discovery
» Compression Drivers -in »
» The real goals of sound »
» Fake Vitavox S2 diaphrag»
» Wanted Vitavox S2 Origin»
» Soundsmith’s analog idea»
» Any good sounding AES/EB»
» The ultimate buffer #2..»
» New show in US, some new»
» The most appalling audio»
» Conchita Supervia
» Another Boston Radio Sta»
» Electrostatic tweeter fo»
» K2HD -yet, another CD fo»
» Bruckner 8 in Washington»
» Reference Recordings “di»
» LLoyd Walker Never Rests
» Clark Johnsen.
» The WHRB’s Rimsky-Korsak»
» Boston and Liszt’s Secon»
» Another time aligned 5-w»
» Shi-Yeon Sung and BSO
» What is High-End Audio, »
» Surprising: the most int»
» Greeting every one
» Violin Concertos
» The decentralization and»
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Sibelius Academy music l»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1899 
You will never know until you try! 1897 
Rowuk is right,,,, 1897 
Some boring design philosophy. 1896 
140 vs 110 hz horns 1892 
140 vs 110 Hz horns 1875 
140 vs 110 hz horns 1856 
John Inlow has the answer to your question 1856 
Stay away 1856 
"advice" 1855 
What is so hard? 1854 
Sometimes SPL is just SPL ... 1854 
But size does matter 1853 
DSP? 1853 
We have to separate the "path to" and "arriving" 1853 
Depends.... 1852 
MF trick 1852 
A "Key" Insight 1852 
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