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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» About my listening habit»
» Matching audio to music:»
» BW Broadcast RBRX Encore»
» Advanced-Transition Horn»
» That is not 1812 and the»
» Glorious HDMI Cable.
» Celibidache / bruckner
» True High-End Audio: Ant»
» CEC TL0 3.0 trasport
» ACR Fabulous-Series PA-1»
» The 3 things that audio »
» Bruckner 8, WDR and Manf»
» Van Cliburn Moscow 1958
» Macondo Frame modificati»
» SET and speakers: disreg»
» 834p modding..."hum»
» About Timbre and Audio.
» How to play mp3.
» Depicting and Visualizin»
» Yarlung Records at 24 bi»
» The “guest musician opin»
» The Art of Pablo Casals,»
» (Whose) classical music.»
» Trash your “full-rage”, »
» 4-way horn system Prelude
» Sensible record cleaning»
» The “new” ways for initi»
» Output transformer for b»
» RIP, Joan Sutherland, &q»
» More about step up trans»
» Analog vs. Digital... wi»
» Building “Zarathustra II»
» Altec Lansing model 19 c»
» A new CES 2010 loudspeak»
» The RCA’s 6C33C sockets?
» Conductors and Audio Sou»
» Tokyo Opera City Concert»
» Electrostatic Sub Horn
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1853 
You will never know until you try! 1851 
Rowuk is right,,,, 1851 
Some boring design philosophy. 1850 
140 vs 110 hz horns 1846 
140 vs 110 Hz horns 1829 
140 vs 110 hz horns 1810 
John Inlow has the answer to your question 1810 
Stay away 1810 
"advice" 1809 
What is so hard? 1808 
Sometimes SPL is just SPL ... 1808 
But size does matter 1807 
DSP? 1807 
We have to separate the "path to" and "arriving" 1807 
Depends.... 1806 
MF trick 1806 
A "Key" Insight 1806 
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