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End of Life Phonostage
Audio Demoronizator AD-1
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» What TRULY high-audio p»
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» A Plasma Tweeter made in»
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» Someone is DSETing, it s»
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» Observations and Thought»
» Help to identify the LF »
» Some kind of Grundig…
» BD-Design’s Orelino
» God bless WDR Symphony O»
» Philadelphia Orchestra c»
» Tomorrow in Boston: Yout»
» Lutoslawski’s Concerto f»
» How do you position your»
» How to run MM-type cartr»
» Micro Seiki MAX 282 Ques»
» Do not buy Brand and Mod»
» What you folks got for B»
» Seven hours of live musi»
» How High-End Audio can b»
» In Praise of Infidelity »
» Capturing live internet »
» Thank you, Sir! May I ha»
» Primitive steps for stan»
» The "new" Shos»
» World's First Concrete R»
» The most promising “best»
» Experimental horn
» Dual channel SET
» The Lieberson’s Neruda S»
» Tanglewood's 75th annive»
» Khachaturian anyone?
» Micro Seiki, tonearm,car»
» Sansui TU-X1 Broadcast m»
» New superlative horn bui»
» Splitting XLR into Multi»
» To drive the 6C33C...
Bookmarked are red
The Bruckner Discography
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Nubes Partem
Lied and Art Songs
Hughs Ominous Tubes
Austria's Musical Exiles
Electron Tube Data sheets
Soviet Composers
ECC99 - 6C33C SET
Audio Database
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1860 
You will never know until you try! 1858 
Rowuk is right,,,, 1858 
Some boring design philosophy. 1857 
140 vs 110 hz horns 1853 
140 vs 110 Hz horns 1836 
140 vs 110 hz horns 1817 
John Inlow has the answer to your question 1817 
Stay away 1817 
"advice" 1816 
What is so hard? 1815 
Sometimes SPL is just SPL ... 1815 
But size does matter 1814 
DSP? 1814 
We have to separate the "path to" and "arriving" 1814 
Depends.... 1813 
MF trick 1813 
A "Key" Insight 1813 
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