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» The best audio system: m»
» What is High-End Audio, »
» Mahler: Symphony No. 2 i»
» Rebel++ first blood, Amp»
» Phono stages with SU-1
» A random neutralness
» Beware of the "dipo»
» Dubbing LP to digital.
» Jonathan Valin shell be »
» TX-103s...
» Metropolitan Opera 2009-»
» High-End Audio: buy vs. »
» More or less pleasure: w»
» The bogusness of the coa»
» The Silence of the Lamms!
» Equalizer? Hm…
» Exceptional loudspeakers»
» I do not even know where»
» Accidental death music.
» High End 2012 in Germany
» Abbado + Lucerne Festiva»
» Eq for 78's
» Micro seiki AX-8G dimens»
» In defense of Mikhail Pl»
» Great Cello Concertos
» The exaggerated boots un»
» Mystery of bass horn cal»
» Mozart Concertos; Clarin»
» Vendors’ Egos.
» Virginia Tech and Music
» Tape Machines
» Burn any single-driver s»
» My old Fi-Hi gear associ»
» The benefits of ultra hi»
» I wish I could speak Ger»
» Where the FM quality com»
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» Woofers cone repair – a »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1879 
You will never know until you try! 1877 
Rowuk is right,,,, 1877 
Some boring design philosophy. 1876 
140 vs 110 hz horns 1872 
140 vs 110 Hz horns 1855 
140 vs 110 hz horns 1836 
John Inlow has the answer to your question 1836 
Stay away 1836 
"advice" 1835 
What is so hard? 1834 
Sometimes SPL is just SPL ... 1834 
But size does matter 1833 
DSP? 1833 
We have to separate the "path to" and "arriving" 1833 
Depends.... 1832 
MF trick 1832 
A "Key" Insight 1832 
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