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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Which SME 3009?
» The WHRB Wagner’s Ring C»
» Open Baffle Speaker Desi»
» Remembering Sound…
» An air compressor and TT.
» “How audio might sound”
» Acoustics of Avery Fishe»
» The UnipheyeMusic and St»
» The most complicated que»
» The Free Intent Audio Jo»
» Single Driver speakers
» Remote control, problems»
» Matching audio to music:»
» The strings period: the »
» Use absolute polarity as»
» Clean and polish gunmeta»
» High-End Audio amplifier»
» From Newton to Einstein
» CATS Purring tempo, slid»
» The DSET perspective exa»
» A sort of DPOLs
» Position your speakers a»
» Zanden 2500S CD player +»
» You Can Play the Record,»
» The Active High Frequenc»
» About audio Crashes.
» Tchaikovsky: Symphony No»
» Time alignment of drivers
» Sonic consequences of re»
» Dialog with Industry Rain
» Alessandro Baricco's &qu»
» Cmpare them
» Monophonic bass: myth an»
» Tolga Kashif's “The Quee»
» Exceptional loudspeakers»
» High-end audio: Absolute»
» To be or not to be.
» Magico Model 6 loudspeak»
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John Lenard Burnett's si»
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Professional Audio Calcu»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1902 
You will never know until you try! 1900 
Rowuk is right,,,, 1900 
Some boring design philosophy. 1899 
140 vs 110 hz horns 1895 
140 vs 110 Hz horns 1878 
140 vs 110 hz horns 1859 
John Inlow has the answer to your question 1859 
Stay away 1859 
"advice" 1858 
What is so hard? 1857 
Sometimes SPL is just SPL ... 1857 
But size does matter 1856 
DSP? 1856 
We have to separate the "path to" and "arriving" 1856 
Depends.... 1855 
MF trick 1855 
A "Key" Insight 1855 
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