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End of Life Phonostage
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» Saying goodbye to the di»
» The Krell’s cursed Sound»
» Stage Music: get clew.
» Shi-Yeon Sung and BSO
» Reel Machines :-O
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» Making LPs; What Goes In»
» Another topic on vitavox»
» Brahms 4th Symphony in i»
» I have a dream, the drea»
» Reviewing preamps by imb»
» Wanted Vitavox S2 Origin»
» Dynamic viscose stabiliz»
» Like theese?
» Need A audio connector &»
» Cmpare them
» The wonder of Ayre Acous»
» Liszt Piano Sonata &»
» Yep, Bach would do it….
» Mahler VI - Barbirolli w»
» Internet and electricity
» Sounds of Science
» My current conductor obs»
» The path of simplificati»
» High-End Audio Topologie»
» Tuners and digital noise»
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» I need some advice and d»
» Danley's Hyperion
» How to play Mahler 7 at »
» Off-the-wall playback or»
» Outdoor horns
» Virginia Tech and Music
» I do not know what else »
» Learn to listen your lis»
» Amazon and MP3
» Rohde & Schwarz EU-6»
» Lamm hybrids: M1.2 vs. L»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1866 
You will never know until you try! 1864 
Rowuk is right,,,, 1864 
Some boring design philosophy. 1863 
140 vs 110 hz horns 1859 
140 vs 110 Hz horns 1842 
140 vs 110 hz horns 1823 
John Inlow has the answer to your question 1823 
Stay away 1823 
"advice" 1822 
What is so hard? 1821 
Sometimes SPL is just SPL ... 1821 
But size does matter 1820 
DSP? 1820 
We have to separate the "path to" and "arriving" 1820 
Depends.... 1819 
MF trick 1819 
A "Key" Insight 1819 
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