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» About destiny of “High-E»
» How to make a playback t»
» About DSET-driven multi-»
» Brahms PC #1, Philharmon»
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» Opera “Boris Godunov”
» Dinsdale Horn Design Art»
» Idler Drive - Rumbling I»
» The LCR RIAA correctors
» Magico Model 6 loudspeak»
» Fun with transformers?
» The ultimate worst best »
» Reading an official audi»
» Etheraudio's some BS….
» About the tweeters phase»
» Hässler sonata: Gra»
» The not-so-big listening»
» Sound Quality and “Elect»
» Beware of "Higher F»
» Big room vs small room
» Orchestra of 32 Loudspea»
» Making of a Steinway.
» Perception - Time Consta»
» Nothing Is Perfect
» Need A audio connector &»
» Tightening to loosening »
» Bermuda Triangles of Aud»
» A longer turntable belt.
» I built this device
» Editing your own posts
» The wonderful Alisa Weil»
» A better way of approach»
» How to test 6C33C?
» Van den Hul famous FAQ c»
» Shostakovich‘s "Suite on»
» RIP Oscar Peterson
» Can a ultimate playback »
» Easy Bruckner for Beginn»
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Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1833 
You will never know until you try! 1831 
Rowuk is right,,,, 1831 
Some boring design philosophy. 1830 
140 vs 110 hz horns 1826 
140 vs 110 Hz horns 1809 
140 vs 110 hz horns 1790 
John Inlow has the answer to your question 1790 
Stay away 1790 
"advice" 1789 
What is so hard? 1788 
Sometimes SPL is just SPL ... 1788 
But size does matter 1787 
DSP? 1787 
We have to separate the "path to" and "arriving" 1787 
Depends.... 1786 
MF trick 1786 
A "Key" Insight 1786 
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